121 records — Page 9 of 13
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Creators:
Hoogstraal, Harry, 1917-1986
Dates:
circa 1940-1986
Size:
113.74 cu. ft. (98 record storage boxes) (1 document box) (22 16x20 boxes) (2 oversize folders)
Collection ID:
Record Unit 7454
Repository:
Smithsonian Institution Archives

These papers document the professional career, and to a lesser extent, the personal affairs of Harry Hoogstraal. Most of the papers concern his work after he joined NAMRU-3 in 1949. There appears to be little documentation of his participation on scientific expeditions during the 1930s and 1940s. The papers primarily consist of a voluminous ...

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Creators:
Pope, John Alexander, 1906-1982
Dates:
circa 1925-1982
Size:
45 Linear feet
Collection ID:
FSA.A1988.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The John Alexander Pope papers contain limited biographical, personal and professional information. The bulk of the collection consists of published and unpublished writings, research materials and correspondence.

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Dates:
circa 1974-2007
Size:
51.5 cu. ft. (45 record storage boxes) (13 document boxes)
Collection ID:
Accession 16-064
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual recordings featuring the National Zoological Park (NZP) and its animals, staff, activities, events, research, medical procedures, and exhibitions. Some materials were created by NZP and others were created by news media and radio, television, and video production companies. Included in this accession ...

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Creators:
Held, John, 1947-
Dates:
bulk 1973-2013
1947-2018
Size:
12.9 Linear feet
Collection ID:
AAA.heldjohn
Repository:
Archives of American Art

The papers of rubberstamp and artistamp artist, performance artist, collector of mail art, and fine arts librarian John Held, Jr. date from 1947-2018, bulk 1973-2013, and measure 12.9 linear feet. Found within the papers are biographical material, 18 printed diaries, letters received by Held from mail artists around the world, art work consisting of artistamps designed by miscellaneous mail artists, interview transcripts, writings, project and event files, printed material, mail art sent for the Gutai Historical Survey Exhibition held at the San Francisco Art Institute in 2013, and a collection of biographical material presented by Held at a Mail Art Study Day held at the Archives of American Art in 2018.

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Creators:
Goode, G. Brown (George Brown), 1851-1896
Dates:
circa 1814-1897 and undated, with related materials to 1925
Size:
15.43 cu. ft. (30 document boxes) (1 12x17 box)
Collection ID:
Record Unit 7050
Repository:
Smithsonian Institution Archives

The bulk of the George Brown Goode Collection (Record Unit 7050) predates the establishment of the present-day Smithsonian Institution Archives. A small addition of autograph letters was received from the Division of Political History, National Museum of American History in 1983 under accession number 83-081.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1834-1983
Size:
11 Boxes
Collection ID:
NMAH.AC.0300.S07
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 7: Sports contains 1,254 pieces of sheet music and song folios. Most of the sheet music is either piano or piano/ vocal arrangements. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Dates:
1920s-1970s
Size:
68.75 cu. ft. (68 record storage boxes) (1 document box) (1 half document box)
Collection ID:
Accession 90-105
Repository:
Smithsonian Institution Archives

These records constitute the morgue files for the Science Service, and as such contain past articles, press releases and other materials produced by the Science Service. In addition are supplemental photographs, news clippings, scientific papers and articles, obituaries and related topical information. Files are categorized according to Libra...

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Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 450 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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Creators:
Jacques Seligmann & Co
Dates:
1904-1978
bulk 1913-1974
Size:
203.1 Linear feet
Collection ID:
AAA.jacqself
Repository:
Archives of American Art

The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.

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121 records — Page 9 of 13