275 records — Page 9 of 28
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Creators:
Vidal, Teodoro
Dates:
1592-1992
Size:
4 Cubic feet (15 boxes, 10 oversized folders)
Collection ID:
NMAH.AC.0712
Repository:
Archives Center, National Museum of American History

Maps, prints, posters, religious articles, publications and photographs, relating to the history and culture of Puerto Rico. Mr. Vidal's family and personal papers are also included.

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Creators:
Castleman, Riva
Dates:
1871
1930-2013
Size:
10.6 Linear feet
7.83 Gigabytes
Collection ID:
AAA.castriva
Repository:
Archives of American Art

The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.

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Creators:
Perls, Frank
Dates:
circa 1920-1983
bulk 1949-1975
Size:
23.8 Linear feet
Collection ID:
AAA.perlfran
Repository:
Archives of American Art

The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.

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Creators:
Di Suvero, Mark, 1933-
Dates:
1934-2005
Size:
6.8 Linear feet
0.263 Gigabytes
Collection ID:
AAA.disumark
Repository:
Archives of American Art

The collection measures 6.8 linear feet and 0.263 GB, dates from 1934 to 2005, and documents the career of sculptor Mark di Suvero and family relationships. Found within the papers are biographical material; letters to and from di Suvero family members; scattered writings by di Suvero and Marie Louise Martignoni di Suvero, the artist's sister, about Mark di Suvero; drawings; a file on the Socrates Sculpture Park; a file on artist Helen Lessick, an acquaintance of Mark di Suvero; exhibition files; printed material; photographs of the artist, artwork, and members of the di Suvero family; audio and video recordings of interviews with di Suvero; and promotional Tee Shirts. A portion of this collection is sealed.

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Creators:
Kuhn, Walt, 1877-1949
Dates:
1859-1984
bulk 1900-1949
Size:
31 Linear feet
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

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Creators:
Parsons, Betty
Dates:
circa 1920-1991
bulk 1946-1983
Size:
57.2 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 57.2 linear feet and date from 1920 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons' personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Madsen, Loren, 1943-
Dates:
1969-2019
Size:
5.2 Linear feet
45.82 Gigabytes
Collection ID:
AAA.madslore
Repository:
Archives of American Art

The papers of artist Loren Madsen measure 5.2 linear feet and 45.82 GB and date from 1969 to 2019. The collection primarily consists of project and exhibition files, and also includes personal business records, correspondence, writings, photographic material, and artwork. There are materials in physical and digital format.

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Creators:
Mesches, Arnold, 1923-
Dates:
1939-2015
Size:
13.6 Linear feet
Collection ID:
AAA.mescarno
Repository:
Archives of American Art

The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically-engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material. Project files comprise a bulk of the collection and include grant files, activism files, project notebooks, and over 100 art project files containing drawings, source material, and photographic material for individual artworks.

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
Kent, Rockwell, 1882-1971
Dates:
circa 1840-1993
bulk 1935-1961
Size:
88 Linear feet
Collection ID:
AAA.kentrock
Repository:
Archives of American Art

The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

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275 records — Page 9 of 28