Query: The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Milch Gallery records
Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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in AAA.milcgall for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Dates:
circa 1970-1985
Size:
33 cu. ft. (33 record storage boxes)
Collection ID:
Record Unit 360
Repository:
Smithsonian Institution Archives

These records consist of press releases, memoranda, tapes documenting Museum activities, newspaper clippings concerning the Museum, correspondence, exhibition catalogues, exhibition scripts, invitations, guest lists, and photographs. Material pre-dating the appointment of Rebecca Bean consists entirely of news clippings.

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in Record Unit 360 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
1983-1992
Size:
33.5 cu. ft. (33 record storage boxes) (1 document box)
Collection ID:
Record Unit 439
Repository:
Smithsonian Institution Archives

These records consist of the files of Charles Robertson as Deputy Director. They include administrative subject files, arranged by year; exhibition files; and files concerning National Museum of American Art (NMAA) Commission meetings and retired commissioners. Some of the events documented in these records include the ninetieth birthday and subsequent …

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in Record Unit 439 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Exhibition Records
Dates:
1970-2006
Size:
2.76 cu. ft. (4 16x20 boxes) (103 oversize folders)
Collection ID:
Accession 17-080
Repository:
Smithsonian Institution Archives

This accession consists of drawings documenting the planning and design of exhibitions and other projects by the Office of Exhibits Central (OEC). OEC designs exhibitions for the Smithsonian Institution Traveling Exhibition Service as well as for Smithsonian Institution museums and units without internal exhibition design offices or which need additional …

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in Accession 17-080 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Creators:
Smithsonian Institution. Office of Exhibits Central
Dates:
1954-1979
Size:
25.58 cu. ft. (25 record storage boxes) (1 tall document box) (2 oversize folders)
Collection ID:
Record Unit 503
Repository:
Smithsonian Institution Archives

These records were primarily created by the Office of Exhibits, 1954-1969; the Office of Exhibits Programs, 1969-1973; and the Office of Exhibits Central, 1973-1979. They document a period of intense exhibition activity at the Smithsonian Institution and its bureaus. Especially well represented are permanent and special exhibitions at the National Museum of Natural …

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in Record Unit 503 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Henry John Drewal and Margaret Thompson Drewal Collection
Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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in EEPA.1992-028 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Dates:
circa 1921-1973
Size:
38 cu. ft. (76 document boxes)
Collection ID:
Record Unit 190
Repository:
Smithsonian Institution Archives

The records contained in this record unit are essentially those of Frank A. Taylor in his capacity as Director, United States National Museum (1962-1971) and Director General of Museums (1968-1971). However, some records as Chairman of the Exhibits Modernization Committee (1943-1959) and Director of the National Museum of History and Technology (1958-1964) as well …

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in Record Unit 190 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Creators:
National Museum of American Art. Office of the Director
Dates:
1970-1983, with records dating from 1934
Size:
48.5 cu. ft. (97 document boxes)
Collection ID:
Record Unit 322
Repository:
Smithsonian Institution Archives

These records document the tenure of Joshua C. Taylor as Director, 1970-1981, with small amounts of materials from 1960s. Additionally some records date back to 1934. In addition there is a folder of correspondence with David E. Finley dated 1938-1977. Included are files on museum offices, Smithsonian offices, various art commissions, other museums, events …

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in Record Unit 322 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1925-1949
Size:
78.77 cu. ft. (65 record storage boxes) (1 half document box) (90 3x5 boxes) (1 oversize folder)
Collection ID:
Record Unit 46
Repository:
Smithsonian Institution Archives

This record unit traces the operation of the Smithsonian from 1925 to 1949. It contains records from the last years of Secretary Charles D. Walcott's administration, perhaps most notably the ambitious but abortive fund raising campaign to add $10,000,000.00 to the Smithsonian's endowment. The Depression and consequent cut-backs in government support are also …

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in Record Unit 46 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Program Files
Creators:
National Museum of African Art. Office of Education and Public Programs
Dates:
1973-2007
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 10-006
Repository:
Smithsonian Institution Archives

This accession consists of files created and maintained primarily by Edward Lifschitz and Veronika Jenke. These records document public education programs in African art, history, and culture. Materials include correspondence and memoranda; workshop and program information; docent training information; docent newsletters; photographs, negatives, and slides; brochures; newspaper clippings; exhibition materials …

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in Accession 10-006 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
182 records — Page 9 of 19