Marvin E. Mundel Industrial Engineering Collection
Collapse [ ]
Expand
- Creators:
-
Mundel, Marvin Everett, 1916-1996 (industrial engineer)
- Dates:
-
1937-1996
- Size:
-
15 Cubic feet (36 boxes)
75 motion picture films
- Collection ID:
- NMAH.AC.0676
- Repository:
-
Archives Center, National Museum of American History
The Marvin E. Mundel Industrial Engineering Collection contains correspondence, reports, data, notes, publications, books, charts, certificates, awards, writings, photographs, films and videos that document the life and career of Marvin Mundel, a well-known expert in the field of work management and productivity enhancement.
Found In
Collapse [ ]
Expand
- Creators:
-
Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 24-July 5, 2009
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2009
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
Collapse [ ]
Expand
- Creators:
-
Shaffer, Earl V., 1918-
- Dates:
-
bulk 1803 - 2007, undated
- Size:
-
16 Cubic feet (46 boxes, 14 oversize folders)
- Collection ID:
- NMAH.AC.0828
- Repository:
-
Archives Center, National Museum of American History
This collection contains the trail diaries, papers, photographs and slides, and writings of Earl V. Shaffer, the man credited with being the first person to hike the entire Appalachian Trail (AT). His complete trail hikes took place in 1948, 1965, and 1998. He was also a hiking and nature enthusiast and advocate.
Found In
Collapse [ ]
Expand
- Creators:
-
Ernst, Jimmy, 1920-1984
- Dates:
-
1802-2010
bulk 1930-2005
- Size:
-
16.3 Linear feet
- Collection ID:
- AAA.ernsjimm
- Repository:
-
Archives of American Art
The papers of painter Jimmy Ernst measure 16.3 linear feet and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).
Found In
Collapse [ ]
Expand
- Creators:
-
Tupper, Earl Silas
Tupper Corporation
- Dates:
-
2003
1908-1989
- Size:
-
14 Cubic feet (27 boxes, 1 map-folder)
- Collection ID:
- NMAH.AC.0470
- Repository:
-
Archives Center, National Museum of American History
Papers documenting inventor Earl S. Tupper, his inventions, Tupperware and the Tupper Company.
Found In
Collapse [ ]
Expand
- Creators:
-
Emmons, George Thornton
Museum of the American Indian, Heye Foundation
- Dates:
-
1870-1917
bulk 1870-1890
- Size:
-
20 Photographic prints
12 copy negatives
- Collection ID:
- NMAI.AC.001.053
- Repository:
-
National Museum of the American Indian
Photographic prints and copy negatives made by George Thornton Emmons among Native communities in Alaska and British Columbia mostly between 1870 and 1890. Communities photographed include—Nisga'a (Niska), Kwakwaka'wakw (Kwakiutl), Yup'ik, Nuxalk (Ballacoola), Haida, and Tlingit.
Found In
Collapse [ ]
Expand
- Creators:
-
Musical Instruments, Division of (NMAH, SI)
Alderman, Alonzo (Tony) Elvis, 1900-1983 ((musician))
Community Life, Div. of, NMAH, SI
- Dates:
-
1927-1983
- Size:
-
4 Cubic feet (5 boxes)
- Collection ID:
- NMAH.AC.0211
- Repository:
-
Archives Center, National Museum of American History
Alonzo Elvis "Tony" Alderman played country music with the Galax Dixie Concert Band and The Hill Billies. During the 1950s through 1970s he recorded old-time and early country music, primarily at festivals and conventions. Alderman recorded many of the open-reel audiotapes in the collection at the Old Time Fiddlers Convention in Galax, Virginia.
Found In
Collapse [ ]
Expand
- Creators:
-
Myhra, David
- Dates:
-
1913 -1998
bulk 1982-1988
- Size:
-
7.91 Linear Feet (20 boxes)
- Collection ID:
- NASM.1999.0065
- Repository:
-
National Air and Space Museum Archives
This collection contains interviews with Reimar and Walter Horten that were recorded by David Myhra.
Found In
Collapse [ ]
Expand
- Creators:
-
Kihn, W. Langdon
- Dates:
-
1904-1990
bulk 1904-1957
- Size:
-
8.5 Linear feet
- Collection ID:
- AAA.kihnwlan
- Repository:
-
Archives of American Art
The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.
Found In
Collapse [ ]
Expand
- Creators:
-
Dwight, Edward H., 1919-1981
- Dates:
-
1821-2001
bulk 1950-1979
- Size:
-
18.6 Linear feet
- Collection ID:
- AAA.dwigedwa
- Repository:
-
Archives of American Art
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.