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Creators:
Mazur, Michael, 1935-2009
Dates:
circa 1936-2016
Size:
22.2 Linear feet
22.83 Gigabytes
Collection ID:
AAA.mazumich
Repository:
Archives of American Art

The papers of artist Michael Mazur measure 22.2 linear feet and 22.83 gigabytes, and date from circa 1936 to 2016, documenting a studio and exhibition practice in addition to teaching and activism activities in both paper and digital formats in the following series: biographical materials, correspondence, studio records, gallery records, project records, affiliations, exhibition records, writings, printed materials, photographic materials, and artwork.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2015
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2015
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Dates:
2010, 2013
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Record Unit 9624
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Progra...

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1822-1986
Size:
39 Boxes
Collection ID:
NMAH.AC.0300.S10
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 10: Sacred Music and Religious Themes contains approximately 4,000 pieces of sheet music, much of which is traditional Christian music, but also documents popular attitudes towards religion in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Thompson, Bob, 1937-1966
Dates:
1949-2005
Size:
2 Linear feet
Collection ID:
AAA.thombob
Repository:
Archives of American Art

The papers of New York African American figurative painter Bob Thompson measure 2 linear feet and date from 1949 to 2005. The collection includes biographical material, videocassettes, correspondence, writings by Bob Thompson and others, exhibition files, scattered personal business records, printed material, photographs, and photograph albums. The correspondence is mostly between Carol Thompson, the artist's wife, and others concerning Bob Thompson's artwork.

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Creators:
Bouché, Louis, 1896-1969
Dates:
1880-2007
Size:
5.9 Linear feet
Collection ID:
AAA.boucloui
Repository:
Archives of American Art

The papers of painter and muralist Louis Bouché measure 5.9 linear feet and date from 1880 to 2007. Found within the papers are biographical material; personal correspondence, including correspondence from the extended Bouché family; writings; financial records; printed material; four scrapbooks; artwork; and photographs of Bouché, his family and friends, and his work.

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Creators:
Bryson, Bernarda
Dates:
1872-2004
bulk 1904-2004
Size:
14.6 Linear feet
5.88 Gigabytes
Collection ID:
AAA.brysbern
Repository:
Archives of American Art

The papers of painter, printmaker, and illustrator Bernarda Bryson Shahn measure 14.6 linear feet and 5.88 GB and date from 1872 to 2004, with the bulk of the materials dating from 1904-2004. Found within the papers are family and biographical materials, correspondence, writings including sound recordings of lectures by the Shahns, some in digital format, voluminous notebooks, five diaries, exhibition files, personal business records, printed material, seven scrapbooks, one sketchbook and other art work, and photographs. Although the bulk of the collection documents Bernarda's work, there are materials about or created by Ben Shahn scattered throughout the collection. There is a 2.7 linear foot unprocessed addition to this collection donated in 2011 that includes administrative files regarding Bernarda Shahn's work on the board of Skowhegan correspondence of both Bernarda and Ben Shahn; an inventory ledger with names of works of art by Ben Shahn; a scrapbook regarding Ben Shan's work in Japan; photographs of Ben and Bernarda Shahn and images of works of art by Ben Shahn; sketchbooks and notebooks by Ben and Bernarda Shahn; and printed material.

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Creators:
Nesbitt, Esta
Dates:
circa 1942-1981
bulk 1964-1975
Size:
10.05 Linear feet
Collection ID:
AAA.nesbesta
Repository:
Archives of American Art

The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.05 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-5, 1970
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1970
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Lawrence P. Fraiberg Productions
Dates:
1979
Size:
2.4 Linear feet
Collection ID:
AAA.frailawr
Repository:
Archives of American Art

The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

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