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Creators:
Sherman, John D., 1872-1960
Dates:
1886-1960
Size:
4.5 cu. ft. (9 document boxes)
Collection ID:
Record Unit 7296
Repository:
Smithsonian Institution Archives

These papers consist primarily of correspondence between Sherman and entomologists and other naturalists including Alexander Agassiz, William Harris Ashmead, Samuel Henshaw, Leland Ossian Howard, John Lawrence LeConte, Clinton Hart Merriam, Alpheus Spring Packard, John Bernhard Smith, Robert Evans Snodgrass, Charles Henry Tyler Townsend, ...

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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1989-1996
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 99-076
Repository:
Smithsonian Institution Archives

This accession consists of exhibition files. Materials include checklists; condition reports; budget, shipping, and insurance records; lender files; and general correspondence. Exhibitions include: Metropolitan Lives: The Ashcan Artists and their New York, 1896-1917, Thomas Cole: Landscape into History, and The West as America: Reinterpreting ...

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Creators:
MacMonnies, Frederick William, 1863-1937
Dates:
1874-1997
Size:
7 Linear feet
Collection ID:
AAA.macmfred
Repository:
Archives of American Art

The papers of sculptor Frederick William MacMonnies date from 1874 to 1997 and measure 7.0 linear feet. Found within the papers are biographical material, a diary, correspondence, personal business records, project files, two sketchbooks and sketches, writings, printed material, and photographs. Well over one-half of the collection consists of Mary Smart's research files for her biography of MacMonnies, A Flight with Fame, as well as clippings regarding her research and a copy of the book.

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Creators:
Macdonald-Wright, Stanton, 1890-1973
Dates:
1907-1973
Size:
3.2 Linear feet
Collection ID:
AAA.macdstan
Repository:
Archives of American Art

The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuplor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1860-1967
Size:
12.49 Cubic feet (consisting of 24 boxes, 2 half boxes, 4 folder, 18 oversize folders, 3 flat boxes (partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Automobile
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Automobile Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Stewart, T. D. (Thomas Dale), 1901-1997
Dates:
1875-1991, bulk 1931-1991
bulk 1927-1991
Size:
65 Linear feet
Collection ID:
NAA.1988-33
Repository:
National Anthropological Archives

Thomas Dale Stewart was a physical and forensic anthropologist and worked at the Smithsonian National Museum of Natural History from 1931 until his death in 1997. He worked under Ales Hrdlicka until 1943, became the head curator in 1960, director of the museum in 1962, and retired in 1971. Stewart's research interests included physical and forensic anthropology and archaeology, mostly in North and South America. He also worked with the F.B.I. frequently to aid in homicide investigations, and worked extensively with the U.S. Army to identify skeletal remains from the Korean War in Operation Glory. The Thomas Dale Stewart Papers primarily deal with his life and career at the Smithsonian, particularly his research projects and publications between 1931 and 1991. Materials consist mainly of correspondence, photographic material, dossiers based on writings and research projects, and administrative files.

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Creators:
Lay, Oliver Ingraham, 1845-1890
Lay, Charles Downing, 1877-1956
Dates:
1789-2000
bulk 1870-1996
Size:
10.54 Linear feet
Collection ID:
AAA.layoliv
Repository:
Archives of American Art

The Oliver Ingraham Lay, Charles Downing Lay, and Lay Family Papers measure 10.54 linear feet and date from 1789 through 2000, with the bulk of the material dating from circa 1870-1996. The collection presents an overview of the personal lives and careers of painter, Oliver Ingraham Lay and his son, landscape architect, Charles Downing Lay. In addition, there are the papers of Lay family members and friends, including those of the Marian Wait Lay family (wife of Oliver Ingraham Lay) and of the Laura Gill Lay family (wife of Charles Downing Lay). Also found are the papers of the landscape and nature painter Fidelia Bridges. The collection consists of biographical material, correspondence, diaries, writings and notes, scrapbooks, family business records, exhibition files, printed material, as well as original artwork, sketches, a sketchbook, landscape designs, and photographs.

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Creators:
Starr, Nina Howell, 1903-2000
Dates:
circa 1933-1996
circa 1933-1996
Size:
21.2 Linear feet
21.2 Linear feet
Collection ID:
AAA.starnina
Repository:
Archives of American Art

The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2004
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2004
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1848-1923
Size:
1.45 Cubic feet (consisting of 3 boxes. 2 folders, 2 oversize folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Needles
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Needles and Needlework forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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