The papers of ceramist William P. Daley measure 15.2 linear feet and date from 1905-2004 (bulk 1951-2001). The collection documents Daley's career as both artist and teacher through biographical information, correspondence, exhibition files, project files, material on workshops, seminars, and lectures, teaching files, artist files, reference files, printed material, photographs, financial files, and artwork.

The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2009. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is Whole Cloth, a book written with Laurel Reuter that presents an historical overview of how artists have used cloth in their work.

The papers of art historian and educator John McDonald Moore measure 21.5 linear feet and date from 1948-2015, with the bulk dating from 1968-1999. Included are biographical material regarding Moore; his writings, including book proposals and lectures; correspondence regarding teaching and letters from students; voluminous notecards for lectures; and sound recordings of lectures.

The papers of painter and inventor Samuel F. B. Morse date from 1826-2009 (bulk 1826-1871), and measure 0.4 linear feet. This small collection documents Morse's role in the early years of the National Academy of Design through his correspondence as the academy's first president, and also includes scattered biographical material, Morse's writings and notes on art from that period, printed material including clippings about Morse and an exhibition catalog, eight photographs, including one of Morse, and a microfilm reel of one of Morse's sketchbooks.

Business and personal correspondence including letters from Ritter to his first wife, Frances Pratt, and to his second wife, Jane Ritter, written from Europe; biographical information; exhibition catalogs and clippings; schedules of art courses taught by Ritter; diaries, 1937-1953; essays, talks and writings; an address book; a high school yearbook...

The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.

Biographical data; letters from dealers, galleries and others; and undated draft of a letter of resignation from the Modern Artists Guild; an etching by Evelyn Wilson; exhibition catalogs and announcements for the Wilsons; a book, J'AI VU VIVRE L'AMERIQUE by Georges Blond, and a translation of an excerpt from the book describing a visit with Ben an...

The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.

The papers of San Antonio-based educator and photographer Kathy Vargas measure 10.8 linear feet and date from circa 1965-2016. Vargas's career is documented through biographical material, correspondence, writings and notes, project and exhibition files, professional files, and printed material.

The papers of writer and art critic Eleanor Munro measure 36.7 linear feet and 0.001 GB and date from circa 1880-2011, bulk 1950-2011. The collection documents Munro's life, career, and research on women artists, through biographical and family material, correspondence, writing projects, diaries, dream journals and notebooks, subject and research files, printed and digital material, and photographic material.