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Creators:
Turner, John F.
Dates:
circa 1928-2015
bulk 1978-1990
Size:
6.9 Linear feet
Collection ID:
AAA.turnjohn
Repository:
Archives of American Art

The John F. Turner collection of research material on visionary self-taught artist Howard Finster measures 6.9 linear feet and dates from circa 1928 to 2015, with the bulk of the materials dating from 1978 to 1990. John Turner is a California-based curator who compiled this collection in preparation for his book Howard Finster: Man of Visions (1989). Found within the collection are correspondence; numerous interviews with Finster and Finster family members, curators and historians, collectors, and artists; draft manuscripts and research notes; compiled research files on other topics; printed materials and commercial broadcast video recordings; and photographic material, including polaroids annotated by Finster. There is also one series of Howard Finster's papers that include writings by Finster, sound and video recordings of Finster exhibitions and talks by Finster related to those exhibitions, recordings of other speaking engagements, sermons, and other events, a scattering of personal business records that includes a ledger and price list of artwork, and artwork.

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Creators:
Scanga, Italo, 1932-2001
Dates:
circa 1930-2001
Size:
15.4 Linear feet
Collection ID:
AAA.scanital
Repository:
Archives of American Art

The papers of Italian-American sculptor, educator, printmaker, and painter Italo Scanga, date from circa 1930 to 2001 and measure 15.4 linear feet. The papers focus on Scanga's work as an artist but also include scattered teaching materials. Found are biographical materials, correspondence, artist files, exhibition and gallery files, professional files, a video recording, and printed material.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic Feet (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Office of Planning, Management and Budget
Dates:
1992-1996
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 98-184
Repository:
Smithsonian Institution Archives

This accession consists of fiscal year budget files, organized by Smithsonian Institution office or bureau. Materials include budget calls, justifications, and other working papers.

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Creators:
Hale, Philip Leslie, 1865-1931
Dates:
1818-1962
bulk 1877-1939
Size:
7.4 Linear feet
Collection ID:
AAA.halephil
Repository:
Archives of American Art

The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.

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Creators:
Cheng, Ching Ho
Dates:
circa 1950-2014
bulk 1970-1989
Size:
6.8 Linear feet
Collection ID:
AAA.chenchin
Repository:
Archives of American Art

The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.

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Creators:
National Museum of Natural History (U.S.). Department of Anthropology
Smithsonian Institution. Department of Anthropology
Smithsonian Institution. United States National Museum. Department of Anthropology
Dates:
1840s-circa 2015
Size:
330.25 Linear feet (519 boxes)
Collection ID:
NAA.XXXX.0311
Repository:
National Anthropological Archives

The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.

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Creators:
Gazin, C. Lewis (Charles Lewis), 1904-1996
Dates:
1901-1984 and undated
Size:
23.91 cu. ft. (45 document boxes) (2 16x20 boxes) (1 oversize folder)
Collection ID:
Record Unit 7314
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Smithsonian Institution. Assistant Secretary for Research
Dates:
circa 1963-1986
Size:
114 cu. ft. (228 document boxes)
Collection ID:
Record Unit 329
Repository:
Smithsonian Institution Archives

These records document the administration, under David Challinor, of the science bureaus of the Smithsonian Institution, c. 1975-1985. Also included are a few records from 1971-1974 and 1986. Series 1 consists of records of the offices reporting to the Assistant Secretary for Science, including the Center for the Study of Man and the National...

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Creators:
Liberman, Alexander, 1912-1999
Dates:
circa 1912-2003
Size:
59 Linear feet
Collection ID:
AAA.libealex
Repository:
Archives of American Art

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

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