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Creators:
Anacostia Community Museum. Office of the Director
Dates:
1978, 1986, 1990-2016
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 17-316
Repository:
Smithsonian Institution Archives

This accession consists of subject files documenting the administration of the Anacostia Community Museum (ACM), previously known as the Anacostia Neighborhood Museum (ANM), 1967-1987, the Anacostia Museum, 1987-1995, and the Anacostia Museum and Center for African American History and Culture, 1995-2006, during the tenures of directors S...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2007
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2007
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Hunsaker, Jerome Clarke, 1886-1984
Dates:
1916-1969
Size:
8 Cubic feet (28 boxes)
Collection ID:
NASM.XXXX.0001
Repository:
National Air and Space Museum Archives

The Hunsaker Papers are rich in aeronautical information relating to the 1920s and 1930s. The material furnishes a generous account of his contributions in the aeronautics field as an engineer. Interested researchers should pursue materials pertaining to Hunsaker in such repositories as MIT's Institute Archives and Special Collections Department, the Goodyear Tire & Rubber Corporation, the U.S. Navy History and Archives at the Washington Navy Yard, and the NASA History Office, Headquarters Building, Washington, DC. This archivist views the Hunsaker Papers, NASM.XXXX.0001, most relevant to research dealing with Hunsaker's professional career.

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Creators:
Pach, Walter, 1883-1958
Dates:
1857-1980
Size:
20.7 Linear feet
Collection ID:
AAA.pachwalt2
Repository:
Archives of American Art

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

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Creators:
Archives of American Art
Dates:
1954-1985
Size:
29.69 cu. ft. (29 record storage boxes) (1 16x20 box)
Collection ID:
Record Unit 402
Repository:
Smithsonian Institution Archives

This collection documents the development of the Archives of American Art (AAA), chiefly the period since acquisition of AAA by the Smithsonian in 1970, though some records from its earlier history in Detroit and New York are also included. These records contain minutes, files, and correspondence of the Board of Trustees and the Advisory ...

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Creators:
Smithsonian Institution
Dates:
1964
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Accession 06-282
Repository:
Smithsonian Institution Archives

This accession consists of the directory, "Smithsonian Institution Organization and Personnel" that was compiled in January of 1964. It includes information about the Smithsonian Institution and its organization as well as includes photographs and biographical information of personnel. Materials include manuscripts and black-and-white photogra...

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Creators:
Smithsonian Institution
Dates:
1958-1992
Size:
17.16 cu. ft. (32 document boxes) (2 tall document boxes)
Collection ID:
Record Unit 106
Repository:
Smithsonian Institution Archives

These records include tape recordings made or received by the Office of Public Affairs, usually of Smithsonian Institution events or by Smithsonian Institution staff. They also include tapes made of animal sounds for the National Museum of Natural History Audioguide and other tapes received by the Archives, regardless of origin. Some of these...

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Creators:
Harris, Nancy H.
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 negatives (photographic) (black & white, 8 x 10.5 cm.)
308 lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1911-1986
Size:
42 flat boxes
Collection ID:
NMAH.AC.0300.S06
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 6: Moving Pictures and Movie Stars forms part of the DeVincent collection. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Kushi, Aveline, 1923-
Kushi, Michio, 1926-
Ohsawa, George
Dates:
1960-2006, undated
bulk 1970-1989
Size:
29 Cubic feet (88 boxes)
339 cassette tapes
218 Video recordings
Collection ID:
NMAH.AC.0619
Repository:
Archives Center, National Museum of American History

Publications, photographs, articles, audio and video recordings, and teaching materials relating to the rise of Macrobiotics in the United States, as popularized by Michio and Aveline Kushi. The bulk of the material was produced for the Kushi Foundation, Kushi Institute, and East West Foundation.

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