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Creators:
National Museum of American History. Office of the Registrar
Dates:
1962-1994
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 11-063
Repository:
Smithsonian Institution Archives

This accession consists of records that document the administrative and professional activities of Virginia Beets, Registrar, 1973-1983; Martha Morris, Assistant Registrar, 1973-1983, Registrar, 1984-1990, and Assistant Director for Collections Management, 1990-1993; and Katherine P. Spiess, Deputy Registrar, 1985-1992, and Acting Assistant Di...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Koblick, Freda
Dates:
1934-2011
Size:
5.8 Linear feet
Collection ID:
AAA.koblfred
Repository:
Archives of American Art

The papers of sculptor Freda Koblick measure 5.8 linear feet and date from 1934 to 2011. The collection documents her career through scattered biographical material, correspondence with family and friends, personal business records, writings, printed material, artwork, and photographs.

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Creators:
Cooper-Hewitt, National Design Museum. Office of the Registrar
Dates:
1984-1999
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Accession 06-123
Repository:
Smithsonian Institution Archives

This accession consists of records documenting incoming loans for Cooper-Hewitt, National Design Museum exhibitions. Materials include condition reports, correspondence, loan agreements, color object photographs, object lists, shipping information, photocopies of images, catalogs, and contracts. A small portion of the records also document ...

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of Public Affairs
Dates:
1955-2001
Size:
7.07 cu. ft. (5 record storage boxes) (3 16x20 boxes)
Collection ID:
Accession 17-125
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the publicity and legal history of the Hirshhorn Museum and Sculpture Garden (HMSG) and its activities and exhibitions as well as the Joseph H. Hirshhorn family and collections. Well-documented topics include the design and construction of the museum; the museum's collections; Mr. Hirshhorn's ...

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Creators:
Patterson, M. Marvin Breckinridge
Dates:
1932, circa 1960s-1970s
bulk 1932
Size:
113 Photographic prints ((0.4 cubic feet), black and white, 8 x 10 in. or smaller )
3 Photographs ((1 folder), color)
7 manuscripts (document genre) ((4 folders), publications)
47 contact sheets ((0.2 cubic feet), black and white)
Collection ID:
EEPA.1985-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.

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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1920-1994
Size:
34 cu. ft. (34 record storage boxes)
Collection ID:
Accession 97-001
Repository:
Smithsonian Institution Archives

This accession consists of the administrative records of the National Museum of American Art, Office of the Registrar, 1920-1994, with the majority dated 1985-1994. The records include Exhibition Files, 1920-1960 and 1986-1991; Photo Requests, 1987-1992; Read Files, 1985-1993; Loan Forms/Photos Ordered, 1989-1993; Permission Forms, numbered ...

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Creators:
Swartz, Anne
Dates:
1998-1999
Size:
2.3 Linear feet
Collection ID:
AAA.swaranne
Repository:
Archives of American Art

The Anne Swartz interviews with artists measure 2.3 linear feet and contain video interviews with contributors to the Pattern and Decoration movement, conducted in 1998 for the production of the documentary Pattern and Decoration: The Great Untold Story (1999). Additional video of exhibitions and studio space are included, as well as the final version of the documentary.

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Creators:
Vassos, John, 1898-1985
Dates:
1915-1989
Size:
18.7 Linear feet
Collection ID:
AAA.vassjohn
Repository:
Archives of American Art

The papers of designer, illustrator, and muralist John Vassos measure 18.7 linear feet and date from 1915 to 1989. The papers include biographical materials, personal and professional correspondence, writings and writing project files, Industrial Designers Society of America (IDSA) files, Radio Corporation of American (RCA) files, Silvermine Guild of Artists files, general professional and committee files, printed materials, four scrapbooks, photographic materials, and artwork.

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Creators:
De Land, Colin, 1955-2003
Dates:
1968-2008, bulk 1980-2003
bulk 1980-2003
Size:
15.15 Linear feet
0.901 Gigabytes
Collection ID:
AAA.delacoli
Repository:
Archives of American Art

The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

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