The papers of sculptor, writer, and earthworks artist Robert Smithson and his wife, sculptor, filmmaker, and earthworks artist Nancy Holt measure 15.1 linear feet and date from 1905 to 1987, with the bulk of the material dating from 1952 to 1987. The papers consist of Smithson's biographical material; business and personal correspondence, much of it with artists; interview transcripts; extensive writings and project files; financial records; printed material; a scrapbook of clippings; holiday cards with original prints and sketches; photographic material; and artifacts. Also found are project files related to Nancy Holt's motion picture film Pine Barrens and her seminal environmental work of art Sun Tunnels, including a video documentary about Sun Tunnels.

The papers of New Hampshire landscape painter William Preston Phelps and his daughter, artist Ina Phelps Hayward, measure 1.1 linear feet and date from 1849-2001, with the bulk of the material dating from the 1890s to the 1920s. Papers include letters from Phelps, and correspondence regarding Ina Phelps Hayward's involvement in her father's 1917 estate sale; sales and legal records related to the Phelps estate; a scrapbook and printed material about William Preston Phelps; a sketchbook of sketches attributed to Phelps; sketches by Ina Phelps Hayward and her husband Roger Hayward; photographs of Phelps, his home and studio in Chesham, New Hampshire, and his artwork; and glass plate negatives, including two of Phelps and thirty-six of his artwork.

The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.

Letters; sketches (mostly photocopies) of medals; photographs; an interview on DVD, and medals concerning Wacks' involvement in the work of medalist Gerta Ries Wiener for the Jewish-American Hall of Fame, a project and institution created by the Judah L. Magnes Museum in Berkeley, Calif.

Photographs made by Susanne Anderson, depicting Dennis Banks, Chippewa cofounder of the American Indian Movement; a Zuni woman; and Northwest Coast people, one an older man carving a totem pole.

The papers of painter and educator Jacqueline Gourevitch measure 5.6 linear feet and date from 1946-2019 and document her education at Black Mountain College, Black Mountain, N.C., and the Art Students League; her teaching career; and exhibitions in Chicago and New York through biographical material, teaching files, personal and professional correspondence, gallery and exhibition files, and printed material.

This small collection of scattered papers of painter and illustrator Charles E. Waltensperger measures 1.2 linear feet and dates from 1893-1931. Papers include biographical material, scattered correspondence between family members, sales records, engagement diaries, notes, sketches of the human form, printed material, and photographs of Waltensperger, his family, colleagues, and travel scenes.

The papers of gallery director and art collector Jock Truman measure 4.0 linear feet and date from 1852 to 2011. Found within the collection are biographical material; correspondence with friends, family, artists, and others; records of the short-lived Truman Gallery; a few writings by Truman; printed material; artwork by Truman and others; and photographs of Truman, his partner Eric Green, friends, family, and the Truman-Green collection of artwork. A small amount of material documents his work at the Betty Parsons Gallery.

Biographical material, correspondence, notes, writings, photographs, business and financial records, works of art, and printed material document the career of painter and educator Michael Loew.

An interview of Harold Lehman conducted 1997 Mar. 28, by Stephen Polcari, for the Archives of American Art. Lehman speaks of his early educational and artistic experiences in New York; taking sculpture classes; moving to California; going to school at Manual Arts; going to Ojai and learning the religious philosophy of Krishnamurti; participating in...