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Creators:
Bischoff, Elmer, 1916-1991
Dates:
1914-1990
Size:
4.4 Linear feet
Collection ID:
AAA.biscelme
Repository:
Archives of American Art

The papers of San Francisco painter and arts instructor Elmer Bischoff measure 4.4 linear feet and date from 1914 to 1990, with the bulk of the material dating from the late 1950s to the mid-1980s. Found within the papers are biographical materials, scattered correspondence, notes and notebooks, teaching and student files, printed materials, artwork and two sketchbooks, and photographs and negatives of Bischoff, his family, post World War II Europe, and artwork studies.

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1957-1992
Size:
2.05 linear meters.
Collection ID:
Record Unit 518
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Sterne, Hedda, 1910-
Dates:
1939-1977
Size:
1.3 Linear feet
Collection ID:
AAA.sterhedd
Repository:
Archives of American Art

The papers of painter Hedda Sterne measure 1.3 linear feet and date from 1939 to 1977. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Sterne's second husband Saul Steinberg, the artist known for his New Yorker drawings; writings; exhibition files; printed material; drawings and 3 sketchbooks; photographs and slides of Sterne, her family, and her work; and originals of Antoine de Saint-Exupéry's work Lettre A Leon Werth and 4 drawings Saint-Exupéry sent to Sterne.

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Creators:
National Zoological Park. Department of Zoological Research
Dates:
circa 1974-1998
Size:
6.08 cu. ft. (5 record storage boxes) (1 document box) (1 tall document box)
Collection ID:
Accession 11-275
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the research of Miles Roberts, a specialist in mammals and Deputy Head of the Department of Zoological Research. Animals documented in this research include kangaroo rats, raccoons, gibbons, langurs, sloth bears, spectacled bears, polar bears, red pandas, opossums, giant pandas, bandicoots, e...

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Creators:
Kovan, Florice Whyte
Whyte, Virgil (bandleader)
Dates:
1942-1948, 1991-1993
Size:
3 Cubic feet (11 boxes)
Collection ID:
NMAH.AC.0503
Repository:
Archives Center, National Museum of American History

Includes 7 VHS videotapes and 1 audio tape produced by Florice Whyte Kovan, containing interviews and recollections by some band members. Studio portraits and snapshot photographs in 3 scrapbooks, which also contain display advertisements and newspaper clippings from about the band, 1940s. Snapshots include documentation of the band's travels and l...

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Creators:
Joseph, Katherine
Hertzberg, Suzanne
Dates:
1962 - 1962
1938-1944
bulk 1941-1941
Size:
1 sound disc (33 1/3 RPM)
1 Cubic foot (3 boxes)
Collection ID:
NMAH.AC.0944
Repository:
Archives Center, National Museum of American History

Papers document Katherine Joseph's career as staff photographer for the International Ladies' Garment Workers' Union. The papers contain negatives and prints taken in Mexico, and some photographs of a White House event in 1938, featuring Franklin and Eleanor Roosevelt; and images of American workers on the home front during World War II.

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Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1974-1983
Size:
10.14 cu. ft. (11 document boxes) (8 tall document boxes)
Collection ID:
Record Unit 588
Repository:
Smithsonian Institution Archives

This record unit consists of master audio tapes for Radio Smithsonian programs 482-533, 1979, and Smithsonian Galaxy editions 26-76, 1979-1981; and audio tapes of Smithsonian special events, concerts, lectures, interviews, symposia, and openings, 1974-1983.

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Creators:
Organization of Independent Artists
Dates:
circa 1970s-circa 2003
Size:
28.4 Linear feet
Collection ID:
AAA.orgainda
Repository:
Archives of American Art

The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.

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Creators:
Wilson, Judith, 1952-
Dates:
1966-2010
Size:
11.2 Linear feet
27.94 Gigabytes
Collection ID:
AAA.wilsjudi
Repository:
Archives of American Art

The papers of African American art historian Judith Wilson measure 11.2 linear feet and 27.94 GB and date from 1966 to 2010. Wilson's career is documented through correspondence with friends, colleagues, artists, universities, and art organizations; notebooks; files on writing projects, conferences, lectures, symposia and other professional activities; and a small amount of printed material. Also found is research material on artist Bob Thompson, including photographs, printed material, correspondence, notebooks and a documentary video recording. Additionally, the collection includes sound recordings of 71 interviews of artists and art collectors and six video recordings. Some of the materials are in digital format.

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