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Creators:
Catlin, Stanton L. , 1915-1997
Dates:
1911-1998
bulk 1930-1994
Size:
56.4 Linear Feet
Collection ID:
AAA.catlstan
Repository:
Archives of American Art

The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.

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Creators:
Nochlin, Linda
Dates:
circa 1876
1937-2017
Size:
31.2 Linear feet
3.9 Gigabytes
Collection ID:
AAA.nochlind
Repository:
Archives of American Art

The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

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Creators:
Johnson, Ellen H.
Dates:
1872-1994
bulk 1921-1992
Size:
55.3 Linear feet
Collection ID:
AAA.johnelle
Repository:
Archives of American Art

The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 55.3 linear feet and date from 1872-1994, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

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Dates:
1865–1870
Size:
23 Reels
Collection ID:
NMAAHC.FB.M809
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M809. These digital surrogates reproduced the records of the Assistant Commissioner for the State of Alabama, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 17 volumes and some unbound documents. The volumes include letters, reports, endorsements, and telegrams sent; orders issued; and registers of letters received. The unbound records include letters, reports, and issuances received. Except for some unfilmed duplicate copies this microfilm publication contains all the records created or received in the office of the Assistant Commissioner for Alabama.

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Creators:
Sternberg, Harry, 1904-2001
Dates:
1927-2000
Size:
3.4 Linear feet
0.553 Gigabytes
Collection ID:
AAA.sterharr
Repository:
Archives of American Art

The papers of New York City and California painter, printmaker, and teacher Harry Sternberg date from 1927 to 2000 and measure 3.4 linear feet and 0.553 GB. The collection documents Sternberg's career as an artist and art instructor through scattered biographical material, correspondence with friends, artists, collectors, curators, art organizations, universities, and galleries, writings by Sternberg and others, exhibition catalogs and announcements, news clippings, and other printed and digital material. Also found are photographs of Sternberg and his artwork, two sketchbooks and three loose drawings by Sternberg, audio visual recordings, and one scrapbook.

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Dates:
1865–1872
Size:
69,244 digital files
Collection ID:
NMAAHC.FB.M1909
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 78 rolls of microfilm described in the NARA publication M1909. These digital surrogates reproduced the records of the North Carolina Assistant Commissioner, staff officers, and field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

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Creators:
Hatch, John Davis
Dates:
1790-1995
Size:
24.9 Linear feet
Collection ID:
AAA.hatcjohn
Repository:
Archives of American Art

The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

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Creators:
National Congress of American Indians
Dates:
1952-1997
Size:
24 videoreels (1/2 inch)
1 videocassettes (hi8)
3 sound cartridges
1 sound recording (dictaphone belt)
10 videocassettes (vhs)
442 sound tape reels (1/4" open reel)
30 videocassettes (u-matic)
713 sound cassettes
Collection ID:
NMAI.AC.010.001
Repository:
National Museum of the American Indian

The National Congress of America Indians (NCAI), which describes itself as the oldest and largest American Indian and Alaskan Native organization in the United States, was founded on November 16, 1944, in Denver, CO and is still active today. NCAI was founded to serve as a link between individual tribal councils and the United States government but also aimed to educate the general public about Indians, preserve Indian cultural values, protect treaty rights with the United States, and promote Indian welfare. This collection of National Congress of America Indians Audio and Film Recordings contains materials created by and for NCAI to maintain a record of organizational proceedings and events between 1952 and 1997. Recorded in various formats, the bulk of this collection is on 1/4" open reel to reel tapes and sound cassettes. The events represented in this collection include annual and mid-year conventions, executive council meetings, congressional hearings, intertribal institutes and a variety of workshops and meetings regarding economic, civil and educational issues facing indian country.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic Feet (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Yoshida, Ray
Dates:
circa 1895-2010
bulk 1950-2005
Size:
10 Linear feet
Collection ID:
AAA.yoshray
Repository:
Archives of American Art

The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.

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