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Creators:
Thread Waxing Space (Gallery)
Dates:
1980s-2001
bulk 1991-2001
Size:
36.7 Linear feet
3.86 Gigabytes
Collection ID:
AAA.threwaxs
Repository:
Archives of American Art

The records of the New York City gallery Thread Waxing Space measure 36.7 linear feet and 3.86 GB and date from 1980s-2001 (bulk 1991-2001). Exhibitions and events held at the gallery are documented through correspondence, artists' bios, printed and digital materials, shipping records, photographic materials, audiovisual materials, and other administrative records. Also found are a handful of artist research files, clippings, and press books.

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Creators:
Norcross, Arthur Dickinson, d. 1968
Tuck, Raphael, fl. 1880s
Norcross Greeting Card Company (New York (N.Y.))
Rust Craft Publishers (Boston, Mass.)
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Dates:
1800-1981
bulk 1880-1881
Size:
202 Cubic feet (179 boxes, 362 volumes)
Collection ID:
NMAH.AC.0058
Repository:
Archives Center, National Museum of American History

Collections consists of the records of both the Norcross Greeting Card Company founded in New York City in the 1920s and The Rust Craft Greeting Card Company, founded in Kansas City, Missouri, 1906. Both the Norcross and Rust Craft companies collected antique greeting cards. Also includes a small number of modern cards by other manufacturers, circa 1930-1980. Collection represents development of the greeting card industry, social trends in the United States and technology of the printing industry from 1924 through 1978.

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Creators:
Brooklyn Museum
Dates:
1965-1968
Size:
7 Linear feet
Collection ID:
AAA.broomuse
Repository:
Archives of American Art

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.

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Creators:
San Francisco Women Artists
Dates:
1925-1999
Size:
15.5 Linear feet
Collection ID:
AAA.sanfrawa
Repository:
Archives of American Art

The San Francisco Women Artists records measure 15.5 linear feet, date from 1925 to 1999, and include administrative records, correspondence, membership files, exhibition files, inventory records, printed material, twenty scrapbooks, photographs, eight photograph albums, and two motion picture film reels.

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Creators:
Jennerson, Horace G.
Bratley, J. H. (Jesse H.)
Dates:
bulk circa 1887-1902
circa 1887-1940
Size:
1 Linear foot
28 Glass plate negatives
30 Photographic prints
Collection ID:
NMAI.AC.224
Repository:
National Museum of the American Indian

This collection contains photographs was shot circa 1887-1899 by Jesse Hasting Bratley and Horace G. Jennerson while they served as teachers on the Rosebud and Pine Ridge Reservations.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
Gillespie, Dizzy, 1917-1993
Fishman, Charles
Dates:
1940-2006
bulk 1987-1993
Size:
20 Cubic feet ( 31 boxes, 2 map folders)
Collection ID:
NMAH.AC.0979
Repository:
Archives Center, National Museum of American History

Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.

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Creators:
Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
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Dates:
1883-1998
Size:
10 Cubic feet (30 boxes)
Collection ID:
NMAH.AC.0791
Repository:
Archives Center, National Museum of American History

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

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Creators:
Ottenberg, Simon
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 Slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

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Creators:
Metchewais [McLain], Kimowan
Dates:
1991-2011
Size:
871 Negatives (photographic)
1918 Slides (photographs)
989 Polaroid prints
15 Notebooks
0.8 Linear feet
1,496 Photographic prints
Collection ID:
NMAI.AC.084
Repository:
National Museum of the American Indian

The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.

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