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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1911-1986
Size:
42 flat boxes
Collection ID:
NMAH.AC.0300.S06
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 6: Moving Pictures and Movie Stars forms part of the DeVincent collection. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Ayer (N W) Incorporated.
Cummings, Barton A., 1914-1994 (advertising executive)
Brower, Charles H.
Bolte, Brown
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Dates:
1938-1991, undated
Size:
4.5 Cubic feet (11 boxes)
Collection ID:
NMAH.AC.0421
Repository:
Archives Center, National Museum of American History

Collection documents Barton Arthur Cummings's career as an advertising industry spokesman, particularly in the areas of advertising education, and advertising in the public interest.

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Creators:
Gorrell, Edgar S. (Edgar Staley), 1891-1945
Dates:
1893-1943
Size:
3.95 Cubic feet (9 boxes)
Collection ID:
NASM.XXXX.0057
Repository:
National Air and Space Museum Archives

This collection contains documents relating mainly to Gorrell's activities as president of the Air Transportation Association of America. The materials include copies of Gorrell's addresses and Congressional testimony, as well as press clippings concerning Gorrell's activities. The collection also includes albums of World War I vintage photographs collected by or presented to Gorrell.

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Creators:
Gibbs, Robert H., Jr.
Dates:
1942-1989
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 89-009
Repository:
Smithsonian Institution Archives

This accession consists of the records of Robert H. Gibbs, Jr., documenting his tenure as ichthyologist and curator at the National Museum of Natural History (NMNH), Division of Fishes. Materials include correspondence, memoranda, and notes; research files; reports; budget summaries; conference and symposium information; contracts; proposals; ...

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Dates:
1865–1872
Size:
15 Reels
Collection ID:
NMAAHC.FB.M1869
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 15 rolls of microfilm described in the NARA publication M1869. These digital surrogates reproduced the records of the Florida headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of 25 bound volumes and approximately 12 linear feet of unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Creators:
Basie, Count, 1904-
Smith, Ernie
Webster, Ben
Armstrong, Louis, 1901-1971
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Dates:
1894-1979
Size:
30 Cubic feet (352 film reels , 16 mm)
Collection ID:
NMAH.AC.0491
Repository:
Archives Center, National Museum of American History

More than 300 reels of 16mm black and white and color film, silent and sound, fiction and documentary motion picture film documenting jazz and related musical performances, social and popular dance styles and performances, jazz musicians, performance locales, and documentation of African-American popular culture. A list of featured performers in the collection is shown below. The films are frequently compilations produced by Smith for lectures.

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Creators:
National Museum of American Art. Office of the Director
Dates:
1969-1991
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 438
Repository:
Smithsonian Institution Archives

These records consist primarily of administrative subject files maintained by the Office of the Director, documenting his or her activities in the museum, in the Institution, and with outside people and organizations. Also included are files on the National Museum of American Art Commission, its meetings, and its commissioners. Some materials ...

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Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
1983-1992
Size:
33.5 cu. ft. (33 record storage boxes) (1 document box)
Collection ID:
Record Unit 439
Repository:
Smithsonian Institution Archives

These records consist of the files of Charles Robertson as Deputy Director. They include administrative subject files, arranged by year; exhibition files; and files concerning National Museum of American Art (NMAA) Commission meetings and retired commissioners. Some of the events documented in these records include the ninetieth birthday ...

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Creators:
Mallery, Garrick, 1831-1894
Dates:
1849-1902
bulk 1870-1895
Size:
41.29 Linear feet (22 boxes, 29 folders, 3 mounted drawings, and 3 rolled items)
Collection ID:
NAA.MS2372
Repository:
National Anthropological Archives

Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.

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