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Creators:
Mato, Dan
Dates:
1940-1943
Size:
0.4 Linear feet
Collection ID:
AAA.matodan
Repository:
Archives of American Art

Exhibition catalog of La Tour's collection at the Steele Gallery in Bloomington, Indiana, October-November, 1940; handwritten descriptions of each painting in the show; and a photocopy of a review of the show.

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Creators:
Selchow, Roger H. (Roger Hoffman), 1911-1995
Dates:
circa 1940
Size:
0.3 Linear feet
Collection ID:
AAA.selcroge
Repository:
Archives of American Art

17 ink and paint drawings on board, including color charts and studies, typography excercises, graphic design studies, and proposals.

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Creators:
Rothko, Mark, 1903-1970
Dates:
[undated] and 1943
Size:
11 Items ((on partial microfilm reel))
Collection ID:
AAA.rothmark
Repository:
Archives of American Art

Two letters, 1943, to Edward Alden Jewell, art editor of the New York Times, written in response to a published editorial in which Rothko attempts to explain modern art; handwritten notes and notebook with entries about art and the creative process; and 8 undated sketches. Microfilm title: Carson family papers.

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Creators:
Magriel, Paul David, 1906-
Dates:
1940-1967
Size:
0.2 Linear feet ((350 items on partial microfilm reel))
Collection ID:
AAA.magrpaul
Repository:
Archives of American Art

Letters received, 1940-1967, from museum directors and curators, dealers and other collectors concerning the identification, exhibition, and sale of Magriel's collection, particularly Renaissance bronzes and American drawings, watercolors and still life paintings. Correspondents include Ira Glackens, Francis Watson (Magriel's purchasing agent in Lo...

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Creators:
Geske, Norman A.
Pribble, Easton, 1917-
Dates:
1955
Size:
3 Items
Collection ID:
AAA.gesknorm
Repository:
Archives of American Art

Pribble initially requests a recommendation from Geske for a Huntington Hartford Foundation fellowship, to which Geske responds favorably, though requiring additional information. In the final letter Pribble relates that he has rethought the entire matter because of the antipathy recently expressed by Huntington Hartford towards modern artists.

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Creators:
Melzac, Vincent
Dates:
1971 July 11
Size:
1 Sound tape (7 in.)
Collection ID:
AAA.melzvinc
Repository:
Archives of American Art

A lecture delivered by Vincent Melzac at the National Collection of Fine Arts. Melzac speaks of his early friendships with Willem De Kooning and Franz Kline; the development of his art collection; his business career; his appointment to the board of trustees of the Washington Gallery of Modern Art and to the board of governors of the Corcoran Galle...

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Creators:
Lauria, Jo
Dates:
April 28, 2012
Size:
1 Item
Collection ID:
AAA.laurjo
Repository:
Archives of American Art

An interview with San Francisco goldsmith Imogene "Tex" Gieling conducted by Jo Lauria, April 28, 2012 for her article on jeweler and designer Margaret De Patta, "Margaret De Patta: Pioneer of Modern Studio," in Ornament magazine, September 2012 issue.

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Creators:
Hord, Donal, 1902-1966
Dates:
1936-1950
Size:
70 Items ((on 2 partial microfilm reels))
Collection ID:
AAA.horddona
Repository:
Archives of American Art

Scrapbook containing clippings relating to Hord's sculptures and their dedications; correspondence relating to commissions, especially the aztec statue commissioned for San Diego State College through the Federal Arts Project and to a sculpture for the Musueum of Modern Art.

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Creators:
Hines, Felrath, 1913-1993
Dates:
1967-1983
Size:
1 Linear foot
Collection ID:
AAA.hinefelr
Repository:
Archives of American Art

The Felrath Hines papers contain correspondence; condition and treatment reports; printed material; slides; photographs; and miscellany concerning Hines's work as a conservator of paintings. His clients include Georgia O'Keeffe; the Aluminum Company of America (Alcoa Collection); Waddell Gallery, New York; Museum of Modern Art; Hudson Walker; Fisk ...

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Creators:
Withers, Brian
Dates:
1977
Size:
11 Items
Collection ID:
AAA.withbria
Repository:
Archives of American Art

Ten photographs taken by Withers of the construction of the mobile which Alexander Calder built for the National Gallery of Art, Washington, D.C. Photographs are annotated. Also included is a three page report by Withers, "Technical Data on Calder's Last Mobile for the National Gallery."

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