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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1887-1948
Size:
0.53 Cubic feet (consisting of 1 box, 1 folder, 2 oversize folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Camping
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Camping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Orange Bowl Committee
Dates:
1933-2000
Size:
29 Cubic feet (67 boxes, 124 map folders)
Collection ID:
NMAH.AC.1191
Repository:
Archives Center, National Museum of American History

This collection consusts of . This collection arranged into six series. Series 1, Historical Background Material, Series 2, Seiler, Ernest E., 1951-1977, undated Series 3, Orange Bowl Parade Subseries 3.1, Office Files Subseries 3.2, Float renderings and Drawings Subseries 3.3, Costume Subseries 3.4, Parade Scripts Subseries 3.5, Ephemera ...

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Creators:
Homer, Winslow, 1836-1910
Dates:
1863, 1877-1945
Size:
0.2 Linear feet
Collection ID:
AAA.homewinl
Repository:
Archives of American Art

The Winslow Homer collection measures 0.2 linear feet with material from 1863 and 1877 to 1945. The collection documents Homer's career as a painter and lithographer through letters, printed material, family records, and photographs.

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Creators:
Kitson, Henry Hudson, 1863?-1947
Kitson, Theo Alice Ruggles, 1876-1932
Dates:
[187-]-1979
Size:
5.7 Linear feet ((partially microfilmed on 3 reels))
Collection ID:
AAA.kitshenr
Repository:
Archives of American Art

Biographical material, correspondence, writings, art works, legal and financial records, scrapbook, photographic and printing material, and printed matter.

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Creators:
Longacre family
Dates:
[ca. 1810]-1952
Size:
9 Microfilm reels
Collection ID:
AAA.longlong
Repository:
Archives of American Art

Correspondence, biographical and genealogical information, poems, notes, diaries, artwork, sketchbooks, photographs, business papers and printed material relating to the Longacre family, especially James Barton Longacre and Andrew Longacre.

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Creators:
Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
More …
Dates:
1883-1998
Size:
10 Cubic feet (30 boxes)
Collection ID:
NMAH.AC.0791
Repository:
Archives Center, National Museum of American History

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

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Creators:
Schiedt, Duncan P., 1921-2014
Dates:
1900-2012, undated
Size:
65 Cubic feet (124 boxes)
Collection ID:
NMAH.AC.1323
Repository:
Archives Center, National Museum of American History

Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.

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Creators:
Leonard, Herman, 1923-2010
Musical History, Division of (NMAH, SI)
Dates:
1948-1993
Size:
5.6 Cubic feet (10 boxes)
Collection ID:
NMAH.AC.0445
Repository:
Archives Center, National Museum of American History

This collection consists of 110 black-and-white photographic prints depicting musicians performing at various American and European jazz clubs between 1948 and 1991. The collection contains mounted and unmounted 11" x 14" and 16" x 20" prints made by Leonard. Artists represented among these photographs are Billie Holiday, Charlie Parker, Dizzy Gi...

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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