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Creators:
Dow, Arthur W. (Arthur Wesley), 1857-1922
Dates:
circa 1826-1978
bulk 1879-1922
Size:
1.3 Linear feet
Collection ID:
AAA.dowarth
Repository:
Archives of American Art

The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826-1978, with the bulk of the material dating from 1879-1922. The collection documents aspects of the life and work of the landscape painter, printmaker, photographer and educator. Papers include correspondence, diaries, writings, lecture notes, clippings, catalogs, ephemera, artwork, and photographs.

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Creators:
Sargent, John Singer, 1856-1925
Dates:
1887-1922
Size:
0.2 Linear feet ((104 letters))
Collection ID:
AAA.sargjohn
Repository:
Archives of American Art

The John Singer Sargent letters consist of 104 letters dating from 1887 to 1922. The letters provide limited insight into his later career through letters to commissioned patrons, sitters, and friends and colleagues. Topics covered include works in progress, replies to social invitations, and other general social news. Many of the letters are written to Mrs. Charles Hunter, an English friend and patron who sat for several portraits. Also found are letters from Sargent to friend Edith Blaney, whose husband was landscape artist Dwight Blaney. Additional scattered letters were written to Henry Mills Alden, Lawrence Barrett, Mrs. Baxter, a Mr. Griffith, Sir George Hunter, Mrs. Jackson, Louisa P. Loring, Henry Gurdon Marquand, Mrs. Pick, Mr. Spizer, and unidentified/illegible recepients. There are two photographs of Sargent.

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Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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Creators:
Bacon, Henry, 1839-1912
Dates:
1849-1931
Size:
1.9 Linear feet
Collection ID:
AAA.bacohenr
Repository:
Archives of American Art

The papers of painter and writer Henry Bacon date from 1849-1931 and measure 1.9 linear feet. The collection documents Bacon's career and travels through France and Egypt. Included are biographical materials, correspondence, writings by Bacon and others, scattered business records, printed material, scrapbooks, photographs, eight sketchbooks and additional sketches.

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Creators:
Richards, William Trost, 1833-1905
Dates:
1848-1920
Size:
1.8 Linear feet
Collection ID:
AAA.richwill
Repository:
Archives of American Art

The William Trost Richards papers measure 1.8 linear feet and date from 1848-1920. The collection documents Richards' personal life and his career as a landscape and seascape painter. The collection consists of correspondence, writings, business files, printed material, photographs, and other miscellaneous materials.

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Creators:
Dabo, Leon, 1868-1960
Dates:
circa 1888-1969
Size:
1.2 Linear feet
Collection ID:
AAA.daboleon
Repository:
Archives of American Art

The papers of painter Leon Dabo date from circa 1888 to 1969 and measure 1.2 linear feet. The collection consists of biographical materials, scattered correspondence, research files relating to the paintings of James Abbott McNeill Whistler, printed mateirals, photographs, and works of art. Also found is a paint palette and brushes reportedly owned by Whistler and a walking stick.

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Creators:
Doll & Richards gallery
Dates:
1863-1978
bulk 1902-1969
Size:
87.5 Linear feet
Collection ID:
AAA.dollrich
Repository:
Archives of American Art

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1844 - 1975
Size:
7 Boxes
Collection ID:
NMAH.AC.0300.S22
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 22 contains materials documenting the business of and popular attitudes towards American Indians in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Polykoff, Shirley
Ellsworth, Scott, Dr.
Dates:
1990.
Size:
1 cassette tape
0.3 Cubic feet (1 document box)
Collection ID:
NMAH.AC.0474
Repository:
Archives Center, National Museum of American History

Oral history describing her career in advertising, especially the creation of the Clairol advertisement "Does She or Doesn't She?" in the 1950s.

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Creators:
National Arts Club
Dates:
1898-1960
Size:
32.1 Linear feet
Collection ID:
AAA.natiartc
Repository:
Archives of American Art

The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities

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