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Creators:
White, Charles, 1918-1979
Dates:
1933-1987
bulk 1960s-1970s
Size:
12.9 Linear feet
Collection ID:
AAA.whitchar
Repository:
Archives of American Art

The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

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Dates:
1865–1872
Size:
7 Reels
Collection ID:
NMAAHC.FB.M742
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 7 rolls of microfilm described in NARA publication M742. These digital surrogates reproduced the records of the Selected Series of Records Issued by the Commissioner of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. This collection contains seven volumes of letters sent, six volumes of endorsements sent, one volume of circulars issued, and one volume of special orders issued by the Commissioner. Also included are fourteen volumes of indexes. These records relate to the general operation of the Bureau.

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Creators:
Smithsonian Institution. Visitor Information and Associates' Reception Center
Dates:
1972-1989
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Record Unit 600
Repository:
Smithsonian Institution Archives

These records document many aspects of the development and operation of VIARC, especially the administration of the Center's two volunteer corps. The bulk of the material consists of the administrative files of Mary Grace Potter from 1972 to 1987, including general correspondence, memoranda, and budget reports. Of particular note are early ...

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Creators:
Facci, Domenico, 1916-1994
Dates:
1914-1995
Size:
1.2 Linear feet
Collection ID:
AAA.faccdome
Repository:
Archives of American Art

The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership roles in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.

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Creators:
Manhattan Project (U.S.)
Dates:
1987-1990
Size:
29 videotapes (Reference copies). 75 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9531
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Dates:
1988-1990
Size:
14 videotapes (Reference copies). 20 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9532
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Geller, Margaret J., interviewee
Dates:
1989-1990
Size:
4 videotapes. 7 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9546
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Hanson, Jo
Dates:
circa 1969-2009
Size:
4.1 Linear feet
1.06 Gigabytes
Collection ID:
AAA.hansjo
Repository:
Archives of American Art

The papers of San Francisco environmental artist and activist Jo Hanson measure 4.1 linear feet and 1.06 GB and date from circa 1969 to 2009. The papers document her professional activities through biographical material, project and exhibition files, printed and digital material, artwork, and photographs. Also found are files regarding her participation in the Women's Caucus for Art.

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Dates:
2007
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Record Unit 9625
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Gross, Chaim, 1904-1991
Dates:
1920-2004
Size:
21.1 Linear feet
Collection ID:
AAA.groschai
Repository:
Archives of American Art

The papers of New York City sculptor and teacher Chaim Gross measure 21.1 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art. An unprocessed addition of three sketchbooks was donated in 2020.

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