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Creators:
Allen, Harriet Collins
Dates:
1897-1925
Size:
0.2 Linear feet
Collection ID:
AAA.alleharr
Repository:
Archives of American Art

The papers of art patron Harriet Collins Allen measure 0.2 linear feet and date from 1897-1925. Found within the papers are letters primarily written by Solon Borglum and his wife, Emma, to Harriet Collins Allen. The letters were written from Omaha, London, Paris, and New York and provide a cursory overview of some of the events in Borglum's career and insights into his relationship with his older brother sculptor Gutzon Borglum. Borglum writes about meeting and working with other sculptors in Paris and New York and his wife writes about conflicts between the two brothers and exhibitions of Solon's work. Also found within the papers are clippings, a brochure for Borglum's book A Comparative Analysis of Natural Forms and Their Relation to the Human Figure, and photographs of Borglum in his studio and of his works.

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Creators:
Aitken, Robert, 1878-1949
Dates:
circa 1900-1960
Size:
0.5 Linear feet
Collection ID:
AAA.aitkrobe
Repository:
Archives of American Art

The papers of California-born sculptor Robert Aitken measure 0.5 linear feet and date from circa 1900-1960. The collection primarily consists of photographs of Aitken in his studio and photographs of his sculpture including fountain figures, mausouleum doors, medallions, refliefs, and portrait busts. Also found is a photograph of Theodore Roosevelt at the dedication of the Navy Monument in Union Square, San Francisco, in 1902. The collection also includes one 1904 letter from Benjamin Wheeler to Robert Aitken thanking Aitken for a bust of George Washington, and scattered clippings and postcards reproducing works of art by Aitken.

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Creators:
Society of Arts and Crafts (Boston, Mass.)
Dates:
1899-1960
Size:
1 Linear foot
Collection ID:
AAA.sociofac
Repository:
Archives of American Art

The records of the Boston-based Society of Arts and Crafts measure 1.0 linear feet and date from 1899 to 1960. The scattered documentations contain administrative records, correspondence, writings and notes, printed materials including twenty-two issues of Handicraft, and a photograph.

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Creators:
Smith, Julia Goodrich, 1853-1941
Dates:
circa 1926-1929
Size:
1 Linear foot
Collection ID:
AAA.smitjuli
Repository:
Archives of American Art

The photographs of works of art by landscape painter, George Inness, measure 1 linear foot, and date from circa 1926-1929. The collection comprises a comprehensive set of photographs of Inness's artwork compiled by his widow, Julia Goodrich Smith, shortly after his death. Smith's photographs are accompanied by a numbered index and also include one photograph of Inness, photographs of biographical items such as diplomas and certificates, and photographs of Inness's coffin and the Inness family grave site.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1841-1940
Size:
1.08 Cubic feet (consisting of 2 boxes, 6 folders, 3 oversize folders.)
Collection ID:
NMAH.AC.0060.S01.01.Cartoons
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Cartoons forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Beyers, Bernice West, 1906-1987
Dates:
1912-1987
Size:
1.7 Linear feet
Collection ID:
AAA.beyebern
Repository:
Archives of American Art

The papers of sculptor Bernice West Beyers measure 1.7 linear feet and date from 1912-1987. Found within the papers are biographical material; letters that discuss sculpture commissions and exhibitions; scattered business and financial records; notes and writings; a sketchbook; printed material, including 3 scrapbooks of clippings; and photographs of Beyers and photograph albums of her art work.

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Creators:
Sterling, Craig
Dates:
1990-1996
Size:
0.15 Cubic feet (1 box, 16" x 20" x 1")
Collection ID:
NMAH.AC.0805
Repository:
Archives Center, National Museum of American History

Black and white photoprints by photographer Craig Sterling, made in the 1990s as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C., including the U.S. Capitol, the Lincoln Memorial, the Jefferson Memorial, and the Arboretum.

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Creators:
Ybarra-Frausto, Tomás, 1938-
Catano, Eduardo
Barr, A.
Helguera, Jesus de
More …
Dates:
circa 1938-1998
Size:
8 Items (1 box, 1 oversize folder)
Collection ID:
NMAH.AC.0660
Repository:
Archives Center, National Museum of American History

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Creators:
Bischoff, Ilse, 1901-1990
Dates:
1893-1981
Size:
1.2 Linear feet
Collection ID:
AAA.biscilse
Repository:
Archives of American Art

The papers of illustrator, writer and collector Ilse Martha Bischoff measure 1.2 linear feet and date from 1893-1981. Found are scattered personal and business records, correspondence, pencil and watercolor sketches, notes and writings, printed material and photographs. Correspondence is primarily with family members and colleagues including Paul Cadmus and Jared French. Photographs are of Bischoff, her family, and colleagues including Paul Cadmus and Jared French.

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Creators:
Evans, John, 1932-
Dates:
1957-2012
bulk 1970-2012
Size:
7.1 Linear feet
1 Gigabyte
Collection ID:
AAA.evanjohn
Repository:
Archives of American Art

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.

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