This accession consists of records created and maintained by the Office of the Director during the tenure of Richard Koshalek, Director, 2009-2013. Many of the records document the seven priorities outlined by Koshalek when he first arrived at the Hirshhorn Museum and Sculpture Garden (HMSG): a fundamental commitment to research; an emphasis ...

These records document the administrative activities of the National Museum of American History (NMAH), Office of the Director, concerning NMAH departments, divisions, exhibitions, and special events, primarily during fiscal years 1993-1994, although some records date back to when the museum was named the National Museum of History and Technol...

The Corliss Knapp Engle slide collection contains 35mm slides of gardens, garden features, flower shows, and flora photographed by Corliss Engle, a self-taught photographer and horticulturalist. Much of the collection is comprised of photographic documentation of numerous private and public gardens that she visited throughout the United States. Of particular note are images of Engle's own garden in Brookline, Massachusetts, spanning three decades; they provide excellent insight into the development and evolution of a garden over time. Portions of the collection highlight Engle's involvement with the Garden Club of America and the GCA's Garden History and Design Committee. The collection also includes various notes, lecture scripts, brochures, programs and articles on garden and plant-related themes generated or compiled by Corliss Knapp Engle.

This accession consists of press releases related to the National Museum of Natural History's exhibitions, public programs, research, events, and administrative changes. Materials also include statements to the press, fact sheets, and related materials. Some press releases were issued by partnering organizations or the Smithsonian Institution,...

Ella Fitzgerald, often called the "First Lady of Song," was one of the 20th century's most important musical performers. The collection reflects her career and personal life through photographs, audio recordings, and manuscript materials.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The papers of collagist and painter Janice Lowry measure 18.0 linear feet and date from 1957 to 2009. Lowry's career as an artist in Arizona and California is documented through biographical material, printed material, teaching files, and photographs. The bulk of the papers consist of six diaries; thirteen morning journals; 126 art journals which include both written text and artwork in the form of sketches, paintings, and collages; hand-made artist books; nine notebooks with sketches; and one sketchbook.

This accession consists of subject files that document the administration of the Resident Associate Program (RAP) and specific projects undertaken by RAP, or with the Program's cooperation. Materials include correspondence, memoranda, and notes; agreements; budget summaries; proposals for seminars, lectures, exhibitions, and television pr...

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.