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Creators:
Mathis, Nathaniel, 1946- (barber, motivational speaker)
Dates:
1946-2004
bulk 1970-2004
Size:
5.5 Cubic feet (18 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0641
Repository:
Archives Center, National Museum of American History

Nathaniel Mathis is a Washington, D.C., hairstylist, inventor, motivational speaker, and entrepreneur. His papers document his business life and community involvement.

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Creators:
Medical Sciences, Division of, NMAH, SI.
Winslow, Randolph, 1852-1937 (surgeon, medical school professor)
Dates:
1868-1924.
Size:
2.5 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0150
Repository:
Archives Center, National Museum of American History

The Winslow Collection contains diaries, patient records, account books, collected historical materials, taped oral history interviews and miscellaneous papers. The core of the collection consists of a chronological series of small, handwritten leather bound books used for personal diaries, college and medical school notes, and patient records, ke...

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Creators:
Smithsonian Foreign Currency Program
Dates:
circa 1975-1985
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 87-151
Repository:
Smithsonian Institution Archives

This accession consists of closed Foreign Currency Program files. Material includes correspondence, study proposals, progress and financial reports, and applications.

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Creators:
DeMott, Helen, 1920-1997
Dates:
1896-1997
Size:
7.9 Linear feet
Collection ID:
AAA.demohele
Repository:
Archives of American Art

The papers of painter Helen DeMott measure 7.9 linear feet and date from 1896-1997. DeMott's painting career from 1940-1996 is documented through her numerous sketchbooks and original artwork. Also found is biographical material, correspondence, writings and poems, scrapbooks, printed material, photographic material, audio and video recordings, and scattered material from collagist Ray Johnson.

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Creators:
Catlin, George, 1796-1872
Dates:
undated
1821-1904
Size:
2.3 Linear feet
Collection ID:
AAA.catlgeor
Repository:
Archives of American Art

The collection comprises 2.3 feet of papers concerning George Catlin's creation and promotion of his famed "Indian Gallery" of paintings, drawings, and artifacts of North American Indians. Dating from 1821 through 1904, with one item dated 1946, the papers include letters, notebooks and journals, receipt books and loose receipts, printed materials, and other documentation. The bulk of the collection focuses on Catlin's efforts to promote the sale of his gallery to the United States government through tours, including London and Paris, and petitions to various governments to purchase the Gallery. Among the rare printed catalogs and petitions in the collection are exhibition catalogs for the U.S., London, and Paris tours, the earliest dating from 1837. Letters and other documents include letters dating from the 1830s from Henry Clay, Thomas Sully, and William Henry Seward commending Catlin's work, as well as Catlin family correspondence and papers dating from 1821 through the 1870s.

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Creators:
Covey, Arthur Sinclair, 1877-1960
Dates:
1882-1960
Size:
5.7 Linear feet
Collection ID:
AAA.covearth
Repository:
Archives of American Art

The papers of mural painter and illustrator Arthur Sinclair Covey measure 5.7 linear feet and date from 1882 to 1960. Found within the papers are biographical material; correspondence with art institutions, patrons, and colleagues; scattered business and financial records; notes and writings by Covey and others, including a transcript of an interview with Covey by a radio station; art work and sketchbooks by Covey and his colleagues including Paul Bransom, Harvey Dunn, and Edward Penfield; project files concering Covey's mural projects; a scrapbook of clippings; additional printed material; and photographs of Covey, family members, colleagues, and art work.

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Creators:
Biren, Joan E.
Dates:
1931-2019
Size:
5 Cubic feet (8 boxes, 13 map-folders)
Collection ID:
NMAH.AC.1216
Repository:
Archives Center, National Museum of American History

Joan E. Biren (JEB) is an internationally recognized photographer and documentary artist. She assembled this collection as her Queer Film Museum. It consists of a variety of materials about and associated with queer films, both foreign and domestic.

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Creators:
Smithsonian Institution. Assistant Provost for the Arts and Humanities
Dates:
1989-1995
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 96-093
Repository:
Smithsonian Institution Archives

This accession consists of records which document the official functions of the Office of the Assistant Provost for Arts and Humanities (OAP-A/H) and its predecessors from 1989 through 1995, although the bulk of the records date from 1993 to 1995. They consist mostly of memoranda, correspondence, and reports generated both within and outside ...

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Creators:
Watson, Virginia
Watson, James B. (James Bennett), 1918-2009
Cole, J. David, 1941-
Dates:
1930-2001
Size:
8.13 Linear feet (20 boxes)
Collection ID:
NAA.2002-12
Repository:
National Anthropological Archives

Virginia Drew Watson was a cultural anthropologist best known for her work in the Eastern Highlands of Papua New Guinea. Her papers attest to a variety of interests related to culture and culture change, drawing on resources both archaeological and ethnographic. This collection contains catalogs, correspondence, drawings, field notes, grant proposals, manuscripts, maps, photographs, publications, reports, and slides. The majority of the field work relates to her work in Papua New Guinea, both with her husband (James B. Watson) and with J. David Cole, but there are also materials related to her work in Brazil.

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Creators:
Ravenhill, Philip L.
Dates:
1989
Size:
2 Volumes (slides , color)
1 Boxe (dupe slides, color)
Collection ID:
EEPA.1989-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken during a research trip to Mali in 1989 to study the art and architecture of the Dogon and Bamana peoples. Accompanying Dr. Ravenhill was Stanley Staniski from Media Resources. Their work resulted in the video production entitled, Togu na and Cheko: Change and Continuity in the Art of Mali, for the National Museum of African Art.

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