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Creators:
Brinkworth, William Ian
Dates:
1901-1991
Size:
3600 negatives (photographic) (0801-3332: B5-6; 3333-4422: B5-7, black and white ;, 35mm.)
637 Photographic prints (black and white.)
179 Transparencies (color ;, 35mm.)
8 Volumes (Books and magazines)
65 manuscripts (document genre)
7 sound recordings
Collection ID:
EEPA.2008-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

William Ian Brinkworth's collection, dated from 1901 to 1991, includes an extensive number of black and white photographs, negatives, color transparencies, books, audio tapes, manuscripts, and research materials. The manuscripts include Brinkworth's book drafts, film treatments, correspondence, historical documents, legal documents, journals and magazines in which his work was published.

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Dates:
1973-ongoing
Size:
35mm slides, photographic prints, negatives + digital images.
Collection ID:
AAG.SGI
Repository:
Archives of American Gardens
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Creators:
Heyer, W. Ronald
Dates:
1968-2011
Size:
4.5 cu. ft. (4 record storage boxes) (1 document box)
Collection ID:
Accession 12-365
Repository:
Smithsonian Institution Archives

This accession consists of papers documenting the career of W. Ronald Heyer, curator in the Division of Amphibians and Reptiles at the National Museum of Natural History. Heyer's research focuses on the systematics, evolution, and biogeography of Neotropical amphibians. Materials include data, correspondence, clippings, maps, notes, slides, ...

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Creators:
Watson, George E, (George Elder), 1931-
Dates:
1950s-1980s
Size:
17.53 cu. ft. (16 record storage boxes) (1 3x5 box) (2 16x20 boxes)
Collection ID:
Accession 85-094
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the professional career of George E. Watson. Included are records concerning his work as Curator, National Museum of Natural History, Division of Birds; his ornithological research; and his professional activities.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2001
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2001
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Ehrat, Arthur
Fleckner, John A., 1941-
Dates:
2011
1865-2005
bulk 1970-1990
Size:
10 Cubic feet (26 boxes)
Collection ID:
NMAH.AC.0907
Repository:
Archives Center, National Museum of American History

Arthur Ehrat invented and patented a breakaway basketball rim, fashioning his prototypes from bolts, metal braces and one key part: a piece of the heavy-duty coil spring on a John Deere cultivator. His invention helped to revolutionize the way basketball is played because players could slam dunk the ball with fewer injuries and without bending the rims or breaking backboards. This collection includes correspondence, legal documents --such as patent papers, litigation files and licensing agreements --photographs and sketches that relate to the basketball invention, as well as materials regarding his two field spreader patents and other invention ideas.

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Creators:
Conant, Francis
Dates:
1946-2011
bulk 1953-2008
Size:
20 Linear feet ((43 boxes) plus 25 digital storage media and 5 map folders )
Collection ID:
NAA.2012-13
Repository:
National Anthropological Archives

The papers of Francis P. Conant document his anthropological work and, to a lesser extent, his previous career as a journalist and photographer. Francis Paine Conant was a cultural anthropologist who pioneered the use of satellite data in anthropology. He conducted fieldwork in Nigeria and Kenya, and his research interests spanned cultural ecology, AIDS, malaria, and sex and gender studies. He was also Professor Emeritus of Anthropology at Hunter College, where he taught from 1962 to 1995.

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Creators:
Smithsonian Institution, Assistant Secretary for Science
Dates:
1963-1973
Size:
9.5 linear meters.
Collection ID:
Record Unit 108
Repository:
Smithsonian Institution Archives

The records are arranged in four alphabetic subject files, overlapping in dates and subject matter. The files were probably segments of one general file which was weeded and separated as records became noncurrent.

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Creators:
Woman's Building (Los Angeles, Calif.)
Dates:
1970-1992
Size:
33.4 Linear feet
Collection ID:
AAA.womabuil
Repository:
Archives of American Art

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.4 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

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Creators:
Bruce, Edward, 1879-1943
Dates:
1902-1960
bulk 1932-1942
Size:
8.9 Linear feet
Collection ID:
AAA.brucedwa
Repository:
Archives of American Art

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

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