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Creators:
Herder, Addie
Dates:
1942-1999
Size:
4.3 Linear feet
Collection ID:
AAA.herdadel
Repository:
Archives of American Art

The papers of collage artist Adeline Herder measure 4.3 linear feet and date from 1942-1999. The collection presents an overview of Herder's personal life and career as a collage artist. Her personal life is reflected through biographical material, correspondence including letters between Adeline and her husband Milton Herder, and writings and notes including appointment books. The collection offers a rich resource on Herder's artistic activity with correspondence that includes documentation of her relationship with Marjorie Jacobson and the purchase of her work by Roy Neuberger and Joseph Hirshhorn. Herder's career is further represented through exhibition files, printed material, writings and notes, and video recordings.

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Creators:
Tanner, Henry Ossawa, 1859-1937
Dates:
1860s-1978
bulk 1890-1937
Size:
2.3 Linear feet
Collection ID:
AAA.tannhenr
Repository:
Archives of American Art

The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his studio in Paris and home in Trepied, Normandy, his family, friends, fellow artists, and his artwork. Additional photographs include a circa 1890 shot of Tanner with fellow students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Also found are a few sketches and drawings.

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Creators:
Waddell Gallery
Dates:
1961-1978
Size:
6.5 Linear feet
Collection ID:
AAA.waddgall
Repository:
Archives of American Art

The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.

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Creators:
Macia, Carlos A., 1951-1994
Dates:
circa 1960-1996
Size:
1.8 Linear feet
Collection ID:
AAA.macicarl
Repository:
Archives of American Art

The papers of Cuban American painter Carlos A. Maciá measure 1.8 linear feet and date from circa 1960 to 1996. The collection is comprised of biographical materials that includes a video recording of an interview with Maciá conducted by Josh Greenman; correspondence; personal business records; printed materials; artwork that includes paintings, drawings and prints; and photographs, slides, and negatives depicting Maciá, works of art, friends and family, and still lifes photographed by Maciá.

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Creators:
Frank Hubbard
Dates:
1930-2003
bulk 1949-2003
Size:
30 Cubic feet (76 boxes)
Collection ID:
NMAH.AC.1256
Repository:
Archives Center, National Museum of American History

The collection documents approximately fifty years of the Hubbard Harpsichord business. The records include correspondence, financial and accounting materials, sales and promotional materials, records, newsletters, dealer files, project files, photographs, research files on European instruments, kit manuals, and design drawings.

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Creators:
Klapthor, Margaret Brown
Dates:
circa 1952-1982
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Record Unit 7466
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Cramer, Konrad, 1888-1963
Dates:
1897-1968
Size:
8.5 Linear feet
Collection ID:
AAA.cramkonr
Repository:
Archives of American Art

The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.

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Creators:
Pierson, Jack, 1960-
Fialho, Alex, 1989-
Dates:
2017 January 16-17
Size:
5 Items (sound files (6 hrs., 10 min.), digital, wav)
84 Pages (Transcript)
Collection ID:
AAA.pierso17
Repository:
Archives of American Art

An interview with Jack Pierson, conducted 2017 January 16-17, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Pierson's home in New York, New York.

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Creators:
Hanson, James A.
Conner, Stuart W.
Dempsey, Hugh A.
Ewers, John C. (John Canfield), 1909-1997
More …
Dates:
1945-1993
Size:
97 Linear feet
Collection ID:
NAA.1998-35
Repository:
National Anthropological Archives

The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes ma...

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Creators:
Mullican, Matt, 1951-
Dates:
circa 1968-2017
Size:
27.8 Linear feet
Collection ID:
AAA.mullmatt
Repository:
Archives of American Art

The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.

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