The records of Kathleen Ewing Gallery, a Washington, DC, gallery that specialized in the work of photographers, measure 3.8 linear feet and 0.475 GB and date from 1946 to 2009, with the bulk of the papers dating from 1975 to 2009. Artists' files make up the bulk of the collection and include exhibition planning documents, correspondence, price lists, publicity, artist statements, and photographs of artwork. Also found are one file of gallery history, two letters, and printed material. Printed material consists of press clippings and a complete set of gallery exhibition announcements. Some of the materials are in digital format.

The papers of sculptor, writer, and teacher Chenoweth Hall measure 5.9 linear feet and date from circa 1870s-2001, with the bulk of the records dating between 1938-1999. The papers document Hall's career through personal and professional files, correspondence, writing files, printed materials, photographs, and some artwork.

The Donald H. Karshan papers relating to Alexander Achipenko measure 1.8 linear feet and date from 1920 to 1973, (bulk dates 1966-1970). Karshan, a print expert and collector, served as Curator of the Archipenko Collection and Director of the Archipenko Archive from circa 1966 until circa 1973. Exhibition files include records concerning University of California, Los Angeles's Alexander Archipenko Memorial Exhibition, 1967-1969, that traveled throughout the United States; an expanded version of the show was circulated in Europe by the Smithsonian Institution. The collection also contains general correspondence relating to the administration of the Archipenko Collection and Archipenko Archive, Leopold Survage, and writings on Archipenko's work and life by Karshan with related correspondence.

This collection consists of 316 35mm color slides, 67 color photocopies, 12 exhibition labels, 2 catalog booklets, and 1 audio cassette representing the lives, culture, and arts of the Guna peoples of the Guna Yala Indigenous Territory (formerly San Blas), Panama. The photographs were taken by Edward L. Mattil during visits between 1973 and 1977, and depict Guna people in their daily lives, as well as a wide variety of mola textiles that they had made.

The Ansel and Virginia Adams letters from Imogen Cunningham consist of two letters from Imogen Cunningham to Ansel and Virginia Adams. One letter is regarding the death of Charles Mayhew, the Adams' son-in-law; the other is regarding a Group f/64 meeting, a photography group organized by Ansel Adams.

The manuscript consists of one drawing of a tight rope walker. It is inscribed on the verso "Drawn by Wohaw Kiowa."It is from a set of 12 drawings donated by Captain Richard Pratt. Three of the drawings are now in the NAA (MS 30,740, 30,747, and 30,750) and 8 are now in the Graphic Arts collection of the National Museum of American History. The loc...

The manuscript consists of one drawing of a Kiowa camp with painted tipis. It is inscribed on the verso "Drawn by Wohaw Kiowa." It is from a set of 12 drawings donated by Captain Richard Pratt. Three of the drawings are now in the NAA (MS 30,740, 30,747, and 30,750) and 8 are now in the Graphic Arts collection of the National Museum of American His...

Research material gathered by Brandon B. Fortune regarding two exhibitions and one exhibition catalog about the 1893 World's Columbian Exposition in Chicago; including correspondence with museums and collectors, and photocopied book pages. The exact title of the first exhibition is now unknown, but it was likely similar to "World's Columbian Exhibition, 1893: Department of Fine Arts." The second exhibition was entitled "American Art at the 1893 World's Fair-Revisiting the White City," which was accompanied by a book with the same title.

Biographical material, correspondence (1920-1977), diaries, notes and writings, art works, subject files (1939-1968), printed material (1919-1971), and photographs (1919-1929) document Geissbuhler's artistic activities in Paris and New England.

The papers of fiber artist and educator Trude Guermonprez measure 1.2 linear feet and date from circa 1900 to 1987 with the bulk of the material dating from 1932 to 1976. The collection includes biographical material, diaries, correspondence, printed material, artwork, and photographs.