The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence primarily discussing art school-related matters and the exhibition and sale of Vytlacil's work, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.

REEL 373-374: 95 letters, 1943-1972; a notebook and miscellaneous notes on art; a diary kept in Spain, France and Italy, undated; a diary of travels in Spain and North Africa, 1914; a diary, April-May 1962; awards and memberships; 2 photographs of Hibbard's art school students at work; nine personal photographs; 29 catalogs, clippings and miscellan...

The papers of painter Edwin Walter Dickinson (1891-1978) measure 20.2 linear feet and date from 19091971. Included are photographs of works of art and personal photographs, object files, correspondence, a biographical account, and printed material.

A ledger, titled William Morris Hunt, presumably kept by architect and patron Edward C. Cabot, noting contributions made by Bostonians for a memorial to William Morris Hunt. The Committee proposed raising funds to purchase Hunt paintings, and to display them permanently in the "Hunt Room" at the Museum of Fine Arts, Boston. Contributions range from...

The papers of jewelry designer and metalsmith Miye Matsukata measure 13.45 linear feet and date from circa 1900 to 1982, with the bulk of the material dating from 1964 to 1981.The papers include correspondence, interviews, journals, writings and lectures, exhibition files, Janiye business records, printed materials, scrapbooks, artwork, sketchbooks, and photographic materials that document Matsukata's work as a jeweler and owner of Janiye, an atelier located in Boston, Massachusetts.

Biographical material, correspondence, writings, teaching files, personal business records, scrapbooks, photographs, artwork, printed material and sound recordings documenting the career of painter and educator Henry Edwards Scott, Jr.

The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

The papers of New York City and Gloucester, Massachusetts painters Charles Allan Winter (1869-1942) and Alice Beach Winter (1877-1970) measure 6.7 linear feet and date from circa 1890-1949, and circa 1974. The papers include biographical material, news clippings, a scrapbook of illustrations by Charles Allan Winter published in Cosmopolitan magazine, original artwork, and photographic prints, acetate negatives, and 699 glass plate negatives of the Winters, their artist friends, family, and artwork.