Princeton University Poster Collection
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- Creators:
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Princeton University
- Dates:
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1863-1950
- Size:
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135 Cubic feet (10,690 posters)
- Collection ID:
- NMAH.AC.0433
- Repository:
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Archives Center, National Museum of American History
Primarily war-related posters.
Found In
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- Creators:
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Garden Club of America
- Dates:
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circa 1920-present
- Size:
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37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
- Collection ID:
- AAG.GCA
- Repository:
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Archives of American Gardens
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Found In
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- Creators:
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Larrabee, Constance Stuart
- Dates:
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1900-1997
- Size:
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circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
- Collection ID:
- EEPA.1998-006
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
Found In
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- Creators:
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National Museum of African Art (U.S.)
- Dates:
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1898-[ongoing]
- Size:
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61 Volumes
- Collection ID:
- EEPA.1985-014
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.
Found In
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- Creators:
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Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
- Dates:
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circa 1910-1970
- Size:
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192 Linear feet
- Collection ID:
- FSA.A.04
- Repository:
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Freer Gallery of Art and Arthur M. Sackler Gallery Archives
The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.