327 records — Page 10 of 33
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Creators:
Cordry, Donald Bush
Museum of the American Indian, Heye Foundation
Dates:
1933-1940
Size:
93 Photographic prints
9 negatives (photographic)
24 copy negatives
Collection ID:
NMAI.AC.001.008
Repository:
National Museum of the American Indian

Images consist mostly of portraits of the indigenous people in the Mexican states of Michoacán, Guerrero, Nayarit, Sinaloa, Oaxaca, Chiapas and Veracruz. The collection primarily contains images of Wikarika (Huichol) people, but includes images of the Purepecha (Tarasco), Guerrero Nahua, Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec peoples.

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Creators:
Steinberg, Sally L. (Sally Levitt)
Dates:
1920s-1987
Size:
3.5 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0439
Repository:
Archives Center, National Museum of American History

This collection consists of ephemeral materials gathered by Sally L. Steinberg while she was researching her 1987 publication, The Donut Book: The origins, history, literature, lore, taste, etiquette, traditions, techniques, varieties, mathematics, mythology, commerce, philosophy, cuisine, and glory of the donut.

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Creators:
Pemberton, John, 1928-2016
Dates:
1982-1986
Size:
769 slides (color; 35 mm)
Collection ID:
EEPA.2015-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of 769 35mm color slides, dates from 1982 to 1986 and documents various Agemo festivals, a performing art of the Yoruba religion. More specifically, Pemberton photographed Agemo funeral rites at the Asu Aluwa house in Olosiwonade, Ijebu, various Agemo priests and their stools, the Odun Agemo festival, Chief Sherafusi's Odun Agemo festival in Igbile, and Egungun dancing at the palace in Oru, Ijebu.

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Creators:
Lemelson Center
Dates:
1993-2000
Size:
1.25 cu. ft. (1 record storage box) (1 half document box)
Collection ID:
Accession 03-115
Repository:
Smithsonian Institution Archives

This accession consists of correspondence documenting administrative decision-making, development and execution of Lemelson Center activities, events, exhibitions, and programs. Materials primarily include the incoming and outgoing correspondence of Arthur P. Molella, Director, 1995- ; and Claudine Klose, Program Manager, 1995- .

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Creators:
Griffith, Delaphine
Griffith, Jacqueline
Thomas, Sarah
Dates:
1907-1950
bulk 1913-1945
Size:
4.21 Linear feet (7 boxes)
Collection ID:
ACMA.06-004
Repository:
Anacostia Community Museum Archives

The Griffith Family papers, which dates from 1907 to 1950 and measures 4.21 linear feet, documents the personal lives of three generations in the Griffith family: Sarah Thomas, Delaphine and Jacqueline Griffith. The papers are comprised of personal and professional correspondence, receipts, bills, newspaper clippings, photographs, record albums, and legal documents.

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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1964-1975
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession T90109
Repository:
Smithsonian Institution Archives

This accession consists of files on dinners and social events during the tenure of Secretary S. Dillon Ripley. Materials also include personal and professional correspondence with friends and colleagues.

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Creators:
Smithsonian Institution, Assistant Secretary for the Arts and Humanities
Dates:
1977-1993
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 01-240
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the management of grant funds and budgetary matters for Smithsonian museums by the Assistant Secretary for the Arts and Humanities, Tom L. Freudenheim. Many materials concern the administration of the Special Exhibitions Fund and the Collections Acquisition Fund. Records were created and maintaine...

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Creators:
National Museum of African Art (U.S.)
Dates:
1898-[ongoing]
Size:
61 Volumes
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1860-1945
Size:
4.13 Cubic feet (consisting of 9 boxes, 1 folder, 3 oversize folders, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Jewelry
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Jewelry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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327 records — Page 10 of 33