230 records — Page 10 of 23
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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
circa 1968-1976
Size:
14.5 cu. ft. (29 document boxes)
Collection ID:
Record Unit 361
Repository:
Smithsonian Institution Archives

Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and ...

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Dates:
circa 1869-1925
Size:
1.75 Cubic feet
807 Stereographs (black and white, color ;, 3 1/2 x 7 inches.)
Collection ID:
AAG.STR
Repository:
Archives of American Gardens

The Historic Gardens Stereograph Collection includes 807 stereographs that depict various public gardens, parks, and tourist attractions throughout the United States, with an emphasis on features related to horticulture and landscape design, including plants, garden furniture, and topiaries. Most, but not all views, show exterior features. A number of stereographs indicate the photography studio on the recto or verso, as well as a series or image number. Many include a brief caption; some include a lengthy description on the verso. Few are dated.

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Creators:
Poor, Henry Varnum, 1887-1970
Dates:
1873-2001
bulk 1904-1970
Size:
12.9 Linear feet
Collection ID:
AAA.poorhenr
Repository:
Archives of American Art

The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

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Creators:
Jacques Seligmann & Co
Dates:
1904-1978
bulk 1913-1974
Size:
203.1 Linear feet
Collection ID:
AAA.jacqself
Repository:
Archives of American Art

The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.

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Creators:
National Museum of American Art. Office of the Director
Dates:
1970-1983, with records dating from 1934
Size:
48.5 cu. ft. (97 document boxes)
Collection ID:
Record Unit 322
Repository:
Smithsonian Institution Archives

These records document the tenure of Joshua C. Taylor as Director, 1970-1981, with small amounts of materials from 1960s. Additionally some records date back to 1934. In addition there is a folder of correspondence with David E. Finley dated 1938-1977. Included are files on museum offices, Smithsonian offices, various art commissions, other ...

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Creators:
Farber, Joan C., Dr.
Farber, Joseph C., 1903-1994
Dates:
circa 1930-1990
Size:
15 Cubic feet (90 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0520
Repository:
Archives Center, National Museum of American History

The Farber collection documents images of celebrated American buildings by photographer Joseph C. Farber.

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Creators:
Stewart, Jack, 1926-2005
Dates:
1926-2010
Size:
9.9 Linear feet
7.31 Gigabytes
Collection ID:
AAA.stewjack
Repository:
Archives of American Art

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

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Creators:
Pach, Walter, 1883-1958
Dates:
1857-1980
Size:
20.7 Linear feet
Collection ID:
AAA.pachwalt2
Repository:
Archives of American Art

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

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Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
circa 1967-1983
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 444
Repository:
Smithsonian Institution Archives

These records consist of files maintained by Harry Lowe in his positions as Curator of Exhibits and Assistant, Acting, and Deputy Director.

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Creators:
White, Charles, 1918-1979
Dates:
1933-1987
bulk 1960s-1970s
Size:
12.9 Linear feet
Collection ID:
AAA.whitchar
Repository:
Archives of American Art

The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

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230 records — Page 10 of 23