Query: Smithsonian Institution. Center for Museum Studies. African Voices Project
Curatorial Research, Programs, and Projects
Dates:
circa 1990-2013
Size:
27.5 Cubic feet (22 boxes)
Collection ID:
CFCH.CRPP
Repository:
Ralph Rinzler Folklife Archives and Collections
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in CFCH.CRPP for Smithsonian Institution. Center for Museum Studies. African Voices Project
Beverly Buchanan papers
Creators:
Buchanan, Beverly, 1940-
Dates:
1912-2017
bulk 1970s-1990s
Size:
18 Linear feet
34.2 Gigabytes
Collection ID:
AAA.buchbeve
Repository:
Archives of American Art

The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18 linear feet and 34.2 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material, including audiovisual and born-digital interview recordings; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material, including born-digital and audiovisual records; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.

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in AAA.buchbeve for Smithsonian Institution. Center for Museum Studies. African Voices Project
Out of Africa: from West African Kingdoms to Colonization exhibition records
Creators:
Smithsonian Institution. Anacostia Community Museum
Hutchinson, Louise Daniel
Dates:
1979-02 - 1980-02
Size:
9.15 Linear feet (17 boxes)
Collection ID:
ACMA.03-031
Repository:
Anacostia Community Museum Archives

An exhibition on the history of the transatlantic slave trade, organized by the Anacostia Neighborhood and held there from February 1979-February 1980. Curated by Louise Daniel Hutchinson. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

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in ACMA.03-031 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Freer/Sackler Files
Dates:
1983-2003
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 04-029
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Patrick H. Sears documenting facilities, departments, contracts, signage, budget, and special events. Materials include correspondence, memoranda, floor plans, reports, budget files, black-and-white photographs, meeting agendas, and project memoranda lists.

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in Accession 04-029 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Donald H. Sultner-Welles Collection
Creators:
Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981
Janus, Allan
Hanfstaengl, Erna
Dates:
circa 1790-1981
bulk 1945-1980
Size:
87.6 Cubic feet (331 boxes, 2 map-folders)
Collection ID:
NMAH.AC.0145
Repository:
Archives Center, National Museum of American History

This collection is primarily the work of one individual, Donald Harvey Sultner, known professionally as Donald Sultner-Welles (1914-1981). The collection forms a written and visual record of Sultner's family, life, and career from 1913-1980. Its major strength is Sultner's photographic documentation of the world during his travels, ca. 1950-1980. Work by other photographers …

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in NMAH.AC.0145 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Sam Gilliam papers
Creators:
Gilliam, Sam, 1933-2022
Dates:
1957-1989
1957-1989
Size:
7.9 Linear feet
7.9 Linear feet
Collection ID:
AAA.gillsam
Repository:
Archives of American Art

The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life beginning as a student, through to his teaching, professorial, and artistic career based in Washington D.C. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation from the 1960s through the 1980s, and particularly showcases the planning and creation of Gilliam's large-scale three-dimensional paintings, often associated with the Washington Color School.

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in AAA.gillsam for Smithsonian Institution. Center for Museum Studies. African Voices Project
Exhibition Records
Creators:
National Air and Space Museum. Aeronautics Division
Dates:
1978-2010
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 18-172
Repository:
Smithsonian Institution Archives

This accession consists of records documenting updates to the "Black Wings" exhibition at the National Air and Space Museum as well as educational outreach, publications, research, special events, and other activities pertaining to groundbreaking African American aviators. The "Black Wings" exhibition opened in 1982 in the Pioneers of Flight Gallery and …

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in Accession 18-172 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Exhibition Records
Creators:
Smithsonian Exhibits
Dates:
circa 2000-2016
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 18-150
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the design of exhibitions for Smithsonian Institution museums and the Smithsonian Institution Traveling Exhibition Service (SITES) by Smithsonian Exhibits (formerly the Office of Exhibits Central). Some non-exhibition projects are also included. Materials include architectural drawings and floor plans; textual and graphic elements; images; and …

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in Accession 18-150 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Maid of Cotton Records
Creators:
Cotton Museum (Memphis, Tennessee)
National Cotton Council
Dates:
1939-1994, undated
Size:
38 Cubic feet (91 boxes)
Collection ID:
NMAH.AC.1176
Repository:
Archives Center, National Museum of American History

The Maid of Cotton (MOC) beauty pageant was sponsored by the National Cotton Council, Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans from 1939-1993. The contest was held annually in Memphis, Tennessee until the National Cotton Council and Cotton Council International moved to Dallas, Texas. Beginning with the 1985 pageant (held December 1984) the competition was held in Dallas. The pageant was discontinued in 1993 due to lack of funds, a sponsor, and changes in marketing strategies. The records include files on contestants, photographs, and scrapbooks.

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in NMAH.AC.1176 for Smithsonian Institution. Center for Museum Studies. African Voices Project
Lucy R. Lippard papers
Creators:
Lippard, Lucy R.
Dates:
1930s-2010
bulk 1960-1990
Size:
70.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico. There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

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in AAA.lipplucy for Smithsonian Institution. Center for Museum Studies. African Voices Project
190 records — Page 10 of 19