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Creators:
Syntex
Dates:
1962-1978
Size:
13 Cubic feet (25 boxes)
Collection ID:
NMAH.AC.0821
Repository:
Archives Center, National Museum of American History

The collection consists of domestic and foreign advertisements--primarily tearsheets from medical journals--leaflets, and product literature from 1962 to 1978, maintained by Syntex to track its competitors' products.

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Creators:
Ottenberg, Simon
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Baggerman, William F.
Dates:
circa 1947-1970
Size:
1,688 color slides
31 negatives (acetate, 35 mm)
22 prints (silver gelatin)
5 color prints
3 postcards (color halftone)
1 drawing
Collection ID:
NAA.PhotoLot.98-23
Repository:
National Anthropological Archives

Photographs made during William F. Baggerman's travels, including trips on the Pan-American Highway, the Tara River in Yugoslavia, and a Transsaharan "expedition" in the Amazon River Region, and in the Balkans, Tibet, Iran, Afghanistan, and Bakistan. They document people and their natural and built environments, as well as markets, ceremonies and ...

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Creators:
Houlberg, Marilyn
Dates:
1970s - circa 2012
Size:
267 color negatives (35mm)
8 Cassettes
19 videocassettes (video 8)
4,011 color slides (35mm)
3,012 Photographic prints (color, 12 x 16 inches or smaller)
27 sound disk cd-r
12 videodiscs (dvd)
1 Reel (Super8)
30 Notebooks (field notes)
0.5 Linear feet (mixed materials; lecture/research files and correspondence)
Collection ID:
EEPA.2015-016
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Marilyn Houlberg Haiti Collection includes negatives, audio cassettes, video reels, prints, CDs, DVDs, field books, and manuscript materials, including lecture/research files and correspondence, which were created from the 1970s to circa 2012 by Houlberg and focus on the arts and culture of Haiti, especially those of the Afro-Caribbean religion of Voudou.

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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Dates:
1887-1986
Size:
2 Photographic prints (color)
6,859 Postcards (color, 10 x 15 cm. or smaller)
Collection ID:
EEPA.2001-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Picture postcards collected by Stephen Grant, Education Official, U.S. Agency for International Development (USAID), while serving in Africa.

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Creators:
Elisofon, Elin
Dates:
1970-2004
Size:
4 books (color.)
Collection ID:
EEPA.2014-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of four books that portray the photography and/or text of Eliot Elisofon: A Week in Agata's World: POLAND. Photographs and text by Eliot Elisofon. New York: Crowell-Collier Press, 1970; A Week in Leonora's World: PUERTO RICO. Photographs and text by Eliot Elisofon. New York: Crowell-Collier Press, 1971; ZAIRE: A Week in Jose...

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Creators:
Kaplan, Flora S.
Dates:
1951-2012, bulk 1969-2012
Size:
134 sound recordings
31.5 Linear feet (72 boxes)
Collection ID:
NAA.2015-21
Repository:
National Anthropological Archives

The Flora S. Kaplan papers document her field work, research, and professional activities from 1951-2012 (bulk 1969-2012) and primarily deal with her work as the director and founder of New York University's Museum Studies program and her field work in Benin and Mexico. The collection consists of correspondence, research files, book files, photographs, sound recordings, ephemera, and writings.

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Creators:
Rosenthal, Mel, 1940-
Perry Mapp, Roberta
Dates:
circa 1975-2010
Size:
49 Items (1 box)
Collection ID:
NMAH.AC.1307
Repository:
Archives Center, National Museum of American History

Black-and-white photoprints from two documentary projects: "In the South Bronx of America" and "Refuge". Mel Rosenthal's mission in the Bronx project was to record the deterioration and poverty there. Some photographs from the Bronx project have also been used in the "Refuge" project, because they document immigrants who moved into the Bronx.

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