224 records — Page 10 of 23
[ ]
Collapse
[ ]
Expand
Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1974-1976
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-106
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records pertaining to The Dye is Now Cast: The Road to American Independence, an exhibition at the National Portrait Gallery (NPG) from April 19-November 16, 1975. Materials include photographs, loan agreements, correspondence, memoranda, notes, scripts, labels, and reports.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Lemelson Center
Dates:
1994-2014
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 15-270
Repository:
Smithsonian Institution Archives

This accession consists of correspondence documenting administrative decision-making, development and execution of Lemelson Center activities, events, exhibitions, and programs. Materials primarily include the incoming and outgoing correspondence of Arthur P. Molella, Director, 1995-2015. Some materials date from when Molella was the Depa...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Warshaw, Isadore, 1900-1969
Dates:
1818-1919
bulk 1840-1910
Size:
3.25 Cubic feet (consisting of 7 boxes, 1 folder, 2 oversize folders, 2 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Wagons
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Office of Fellowships and Internships
Dates:
1989-2012
Size:
23.5 cu. ft. (23 record storage boxes) (1 document box)
Collection ID:
Accession 15-076
Repository:
Smithsonian Institution Archives

This accession consists of program records documenting accepted applicants for fellowships, research positions, and internships at the Smithsonian Institution, with earlier records dating back to when the Office of Fellowships and Internships was known as the Office of Fellowships, the Office of Research and Training Services, and the Off...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of Natural History. Department of Entomology
Dates:
1928, 1933-1934, 1946, 1956-2017
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Accession 19-224
Repository:
Smithsonian Institution Archives

This accession consists of correspondence documenting the research of Diptera (flies), specimen identification and loans, and professional activities of F. Christian Thompson. Some materials predate 1963, when the department was the Division of Insects. Materials include correspondence, notes, drawings, memoranda, agreements, proposals, b...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Walinska, Anna
Dates:
1927-2002
bulk 1935-1980
Size:
2.1 Linear feet
Collection ID:
AAA.walianna
Repository:
Archives of American Art

The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More …
Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Contracts Office
Dates:
1962-1979
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Record Unit 295
Repository:
Smithsonian Institution Archives

These records contain proposals and drafts of contracts and grants, correspondence concerning their acceptance and implementation, budget information, reports about grant-sponsored activities, and information concerning the administration of the Office and the authority of the Contracting Officer.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

Found In
224 records — Page 10 of 23