444 records — Page 10 of 45
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Creators:
Bedini, Silvio A.
Dates:
1965-1985
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 05-115
Repository:
Smithsonian Institution Archives

This accession primarily consists of Bendini's correspondence and memoranda with Smithsonian colleagues, scholars, professional organizations, publishers, and the general public documenting his research activities for special projects, publications, and exhibitions. Also included are Bedini's articles and book reviews; research notes; copies ...

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Creators:
Jenness, Aylette
Dates:
1967-1969
Size:
2293 Negatives (photographic) (black and white, 35 mm)
46 Negatives (photographic) (black and white, 120. mm)
72 Contact sheets (black and white)
Collection ID:
EEPA.2015-019
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes photographs taken by Aylette Jenness in northern Nigeria between 1967 and 1969. They document daily life in a remote part of Yauri Emerite, focusing on the townspeople of Yelwa and those in its environs.

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Wildschut, William
Dates:
1870-1930
bulk 1917-1928
Size:
183 Negatives (photographic)
21 Photographic prints
Collection ID:
NMAI.AC.001.033
Repository:
National Museum of the American Indian

The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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Creators:
Ryan, Paul, 1943-
Dates:
1931-2009
Size:
19.7 Linear feet
Collection ID:
AAA.ryanpaul
Repository:
Archives of American Art

The Paul Ryan papers measure 19.7 linear feet and document Ryan's education and career as a pioneering video artist, theorist, writer, and educator. Records include school records, family papers, correspondence, writings, project files, video recordings, teaching files, printed materials, scattered photographs, and artwork by others. Organizational records are also found for the Earthscore Foundation, Earth Environmental Group, the Gaia Institute, and the Raindance Corporation, among others. The bulk of Ryan's professional work is documented in his writings and project files.

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Creators:
Skelton, Betty, 1926-
Dates:
circa 1920-2005
Size:
8.21 Cubic feet (10 legal document boxes, 4 flatboxes)
Collection ID:
NASM.2002.0002
Repository:
National Air and Space Museum Archives

In 2002 Betty Skelton donated a collection of materials outlining her career as an aviatrix and race car driver to the National Air and Space Museum. The donated material consists primarily of news clippings, pamphlets, magazines, photographs, and scrapbooks covering the span of Ms. Skelton's career.

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Creators:
Hammer, William J. (William Joseph), 1858-1934 (electrical engineer)
Dates:
1881-1934
bulk 1905-1915
Size:
5.66 Cubic feet (13 boxes)
Collection ID:
NASM.XXXX.0074
Repository:
National Air and Space Museum Archives

The collection is the result of Major Hammer's passion for amassing material related to aeronautics and technology, and it is arranged into eleven series: articles, clippings, correspondence, drawings and blueprints, leaflets, legislation, minutes, miscellaneous, photographs, programs and publications. Housed in 23 folders, the correspondence is the most comprehensive series, reflecting the original order which grouped the letters into series by topic. Much of the correspondence concerns the planning of the Hudson-Fulton Celebration of 1909, and the involvement of Wilbur Wright and Glenn Curtiss. There is also a scrapbook of black and white photographs providing front and side views of specified airplanes. Each page has 3 photos showing different views of the same plane accompanied by a label with additional information. (See written copy for details. Also, please see information written on 8x11 notebook paper.)

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Creators:
National Air and Space Museum. Space History Division
Dates:
1986-2002
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 06-048
Repository:
Smithsonian Institution Archives

This accession consists of records documenting incoming loans for the Stars Gallery. Some records also document the dismantling of the Stars Gallery, policies and procedures for incoming loans, and the activities of committees dealing with loans and collections management. Materials include correspondence, worksheets, copies of condition repor...

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Creators:
Lemelson Center
Dates:
1994-2001
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 03-116
Repository:
Smithsonian Institution Archives

This accession consists of staff project files pertaining to internal grants made to National Museum of American History (NMAH) staff for the development and execution of projects. Materials include proposal guidelines, original grant proposals, correspondence and notes, progress reports, financial transfer documentation, and research informat...

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444 records — Page 10 of 45