Marilyn Houlberg Nigeria Collection
circa 400 Photographic prints (3 x 5 inches, 5 x 7 inches)
1 box manuscripts (document genre)
52 Cassettes (Audiocassettes- music, lectures, field records, interviews)
1 cd-r (CD-ROM)
This collection contains a variety of materials including (1,615) 35 mm color slides, circa 400 photographic prints, 1 box of manuscript materials, 1 notebook, 52 audio and 1 video cassettes, and 1 CD-ROM. Many of the slides and photographs were taken during Houlberg's field work in Nigeria (1973-1975) and depict Ibeji figures, wood carvings, Egungun masquerades and masks, twins, portraits, hairstyles, festivals, shrines, textiles, and peoples including the Yoruba, Ekoi, Ibibio, and Ogoni. The audiocassettes consist of lectures, music, field records, and interviews.
National Arts Club records
The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities
Betty Parsons Gallery records and personal papers
The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.
National Academy of Design letterbook
A scrapbook/letterbook containing 74 letters from artists, written mostly to Academy president Harry Watrous, with several to Charles M. Kurtz regarding paintings and sculpture lent for exhibitions, the Louisiana Purchase Exposition of 1904 (the St. Louis World's Fair), and other matters.
Contemporary Arts Center records
Exhibitions and special activities files pertaining to visual arts. [The Center's records relating to music, theatre etc. were not microfilmed].
Guy Dill papers
The papers of sculptor Guy Dill measure 1.3 linear feet and date from 1972-2003. The collection includes a few scattered personal and business letters, writings, photographs of artwork, two project files, and printed material, including exhibition announcements, brochures and catalogs of solo and of group shows, newspaper and magazine articles.
Art Foundry and Art Foundry Editions Records
Art Foundry Editions
The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.
Oral history interview with Merryll Saylan
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
116 Pages (Transcript)
An interview of Merryll Saylan conducted 2006 May 20-June 5, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Victoria & Albert Museum, in London, England.
Elfriede Abbe papers
The papers of printmaker and sculptor Elfriede Abbe measure 0.5 linear feet and date from 1939 to 1978. Found are original prints, biographical material, correspondence, photographs, and printed material.
Judith K. Zilczer Papers
This accession consists of materials documenting the research and correspondence of Judith Zilczer. Zilczer was employed by the Hirshhorn Museum and Sculpture Garden in various capacities from 1974-2003, ultimately serving as Curator of Paintings from 1992-2003. Many of the files were compiled while Zilczer was co-curating the exhibition "Visual Music: 1905-2005" which was …