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Creators:
d'Arazien, Arthur
Dates:
circa 1930-2002
Size:
11 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0314
Repository:
Archives Center, National Museum of American History

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...

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Creators:
Smithsonian Institution, Assistant Secretary for History and Art
Dates:
1966-1980, with related records from 1961
Size:
19.6 linear meters.
Collection ID:
Record Unit 281
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Rosin, Henry D., Dr.
Lyman, Benjamin Smith, 1835-1920
Ueno, Hikoma, 1838-1904
Beato, Felice, b. ca. 1825
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Dates:
1860 - ca. 1900
Size:
616 Items (approximate count)
Collection ID:
FSA.A1999.35
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s...

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Hrdlička, Aleš, 1869-1943
Dates:
1875-1966
bulk 1903-1943
Size:
206.71 Linear feet (294 boxes, 138 folders, 9 rolled items, and 4 folios)
Collection ID:
NAA.1974-31
Repository:
National Anthropological Archives

The papers of Aleš Hrdlička, curator in the Division of Physical Anthropology, Department of Anthropology, United States National Museum of the Smithsonian Institution, offer considerable insight into the development of physical anthropology in the first half of this century. The papers include honors bestowed on Hrdlička, autobiographical notes, correspondence with many of the leading anthropologists of the day, anthropometric and osteometric measurements and observations (forming most of the collection), extensive photographs of Hrdlička's field work, manuscripts, research materials, and "My Journeys" (essentially a diary Hrdlička kept of his field work). In addition, there is material of a personal nature. The papers date from 1875 to 1966, but the bulk of the materials date from 1903 to 1943, the time of Hrdlička's career at the USNM.

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Creators:
Basie, Count, 1904-
Smith, Ernie
Webster, Ben
Armstrong, Louis, 1900-1971
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Dates:
1894-1979
Size:
30 Cubic feet (352 film reels , 16 mm)
Collection ID:
NMAH.AC.0491
Repository:
Archives Center, National Museum of American History

More than 300 reels of 16mm black and white and color film, silent and sound, fiction and documentary motion picture film documenting jazz and related musical performances, social and popular dance styles and performances, jazz musicians, performance locales, and documentation of African-American popular culture. A list of featured performers in the collection is shown below. The films are frequently compilations produced by Smith for lectures.

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Creators:
Naff, Alixa, 1919-2013
Dates:
1875 - 2004
Size:
120 Cubic feet (295 boxes )
2,000 Photographs
450 cassette tapes
Collection ID:
NMAH.AC.0078
Repository:
Archives Center, National Museum of American History

The collection is the result of research conducted by Dr. Alixa Naff relating to the study of the early Arab immigrant experience in the United States from about 1880-World War II. The study began with oral history interviews in 1962 and became a major project in 1980 with a grant from the National Endowment for the Humanities. It documents the assimilation of Arabic speaking immigrants in the United States.

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Creators:
McCoy, Esther
Dates:
circa 1876-1990
bulk 1938-1989
Size:
44.4 Linear feet
Collection ID:
AAA.mccoesth
Repository:
Archives of American Art

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

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Creators:
Gaskin, Mary
Gaskin, Leonard, 1920-
Dates:
undated
Size:
30 Cubic feet (129 boxes, 4 map folders)
Collection ID:
NMAH.AC.0900
Repository:
Archives Center, National Museum of American History

Papers documenting the life and career of bass player Leonard Gaskin, as well as documenting the numerous other musicians he was associated with in his long career. Gaskin's career encompasses a wide range of musical genres, including gospel, rock, folk, and Caribbean music. The papers include photographs, newspaper clippings, diaries, music manusc...

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Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

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