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Creators:
Stansbury, Jacqueline
Stansbury, Benjamin H., 1935-1996
Dates:
1955 - 1995
Size:
5 Cubic feet (15 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1350
Repository:
Archives Center, National Museum of American History

The collection documents the inventing and design work of Benjamin Stansbury.

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Creators:
C.G. Sloan & Company
Dates:
1893-1963
Size:
0.8 Linear feet
Collection ID:
AAA.cgsloa
Repository:
Archives of American Art

The records of C.G. Sloan & Co. measure 0.8 linear feet and include 117 auction catalogs dating from 1893 to 1963.

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Creators:
Williams, Ralph William
Breck Company.
Dial Corporation.
American Cyanamid Company
More …
Dates:
circa 1936-1995
Size:
6.5 Cubic feet (15 boxes, 188 pieces of original artwork)
Collection ID:
NMAH.AC.0651
Repository:
Archives Center, National Museum of American History

The collection documents the development and evolution of the Breck Girl, a highly successful and long-lived advertising campaign whose hallmark was its vision of idealized American womanhood through correspondence, photographs, paintings, and print advertisements.

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Creators:
Joseph Enterprises, Inc. (Location of Meeting--San Francisco, California; )
Pedott, Joseph
Dates:
circa 1976-2005, 2008
Size:
2 Cubic feet (3 boxes)
Collection ID:
NMAH.AC.0898
Repository:
Archives Center, National Museum of American History

Papers relating to products developed and marketed by Joseph Enterprises, Inc., including the Chia Pet and the Clapper. The collection includes internal business documentation including correspondence, design drawings, and photographs. Print advertising and packaging samples as well as audiovisual materials make up an important part of the collection. The video collection includes commercials for the Chia and Clapper products as well as clips of product mentions in popular entertainment. In addition, there are two recorded oral history interviews with Joseph Pedott.

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Creators:
Warashina, Patti, 1940-
Dates:
circa 1900-1991
bulk 1970-1989
Size:
4.8 Linear feet
Collection ID:
AAA.warapatt
Repository:
Archives of American Art

The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

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Dates:
1889-1910
Size:
0.25 Cubic feet (1 slim legal document box)
Collection ID:
NASM.1991.0075
Repository:
National Air and Space Museum Archives

Carl Myers (1842-1925) was a meteorologist, photographer and balloonist. In 1875, Myers and his wife Mary ("Carlotta, Queen of the Air") began experimenting with balloons and made their first ascensions in 1880. Myers constructed and flew a variety of balloons and airships, and worked on the following technical advances: he developed a varnishing machine for producing fabrics impervious to hydrogen gas; he produced a portable system for generating hydrogen gas; he patented an apparatus for guiding balloons; and he made the first balloon ascension using natural gas as the lifting medium. Myers manufactured balloons for the U.S. Weather Bureau's rainmaking experiments and also supplied the United States Army Signal Corps (USASC) with twenty-one balloons for use in Spanish American War. Myers retired in 1910. The collection consists of 91 images of the following: balloons, airships, and aeronautical gear in various stages of construction and flight; interior and exterior views of the Carl Myers Balloon Farm; and a number of portraits taken of the family and visitors, including Thomas C. Benbow, a noted pioneering aeronaut. It also contains correspondence written by Myers to Professor Henry Allen (H.A.) Hazen, a meteorologist connected with the United States Signal Office, and one letter to George E. Curtis, head of the U.S. Weather Bureau.

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Creators:
Greeley, Frederick A. (Frederick Atwood), 1896-1980
Dates:
1920-1979
Size:
2 cu. ft. (4 document boxes)
Collection ID:
Record Unit 7307
Repository:
Smithsonian Institution Archives

These papers document Greeley's career and experiences during his tours of duty at the SAO's radiation observing stations from 1920 to 1956. These materials consist primarily of correspondence, diaries, notes, manuscripts, photographs, and personal documents. The correspondence includes incoming and outgoing official correspondence, 1931-1955...

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Creators:
Barnard, George Grey, 1863-1938
Dates:
circa 1860-1969
bulk 1880-1938
Size:
11.6 Linear feet
Collection ID:
AAA.barngeor
Repository:
Archives of American Art

The papers of New York sculptor, collector, and dealer George Grey Barnard measure 11.6 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.

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Creators:
Organization of Independent Artists
Dates:
circa 1970s-circa 2003
Size:
28.4 Linear feet
Collection ID:
AAA.orgainda
Repository:
Archives of American Art

The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.

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Creators:
Riverón, Enrique
Dates:
1918-1990s
Size:
3.3 Linear feet
Collection ID:
AAA.riveenri
Repository:
Archives of American Art

The papers of Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.

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