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Creators:
Gross, Chaim, 1904-1991
Dates:
1920-2004
Size:
20.9 Linear feet
Collection ID:
AAA.groschai
Repository:
Archives of American Art

The papers of New York City sculptor and teacher Chaim Gross measure 20.9 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art.

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Creators:
Ankrum Gallery
Dates:
circa 1900-circa 1990s
bulk 1960-1990
Size:
41.5 Linear feet
Collection ID:
AAA.ankrgall
Repository:
Archives of American Art

The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.

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Creators:
Cahill, Holger, 1887-1960
Dates:
1910-1993
bulk 1910-1960
Size:
15.8 Linear feet
Collection ID:
AAA.cahiholg
Repository:
Archives of American Art

The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.

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Creators:
André Emmerich Gallery
Dates:
circa 1929-2009
Size:
311.4 Linear feet
Collection ID:
AAA.andremmg
Repository:
Archives of American Art

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

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Creators:
Smithsonian Environmental Research Center
Dates:
1984-2007
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 18-158
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the administration of approved and rejected grants at the Smithsonian Environmental Research Center (SERC). Topics covered include grant proposals and extensions, projects, and finances. Materials include correspondence, memoranda, proposals, budgets, notes, reports, grant applications, agreements...

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Creators:
National Congress of American Indians
Dates:
1933-1990
bulk 1944-1989
Size:
251 Linear feet (597 archival boxes)
Collection ID:
NMAI.AC.010
Repository:
National Museum of the American Indian

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

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Creators:
Krogman, Wilton Marion, 1903-1987
Children's Hospital of Philadelphia (CHOP)
University of Pennsylvania
Dates:
circa 1947 - circa 1989
Size:
520 Linear feet (520 boxes)
Collection ID:
NAA.2017-20
Repository:
National Anthropological Archives

The Wilton M. Krogman Center for Research in Child Growth and Development records consist of data collected by the Krogman Growth Center over a 40-year period documenting physical growth and faciodental development in Philadelphia children from approximately 1947-1989. The study observed children throughout their lives, starting at infancy once Philadelphia's participation in the Collaborative Perinatal Project (1959-1974) began. In all, the data collected from these growth studies helped establish healthy growth standards for children, and reflect largest and longest U.S. studies on growth, pregnancy, and childhood. The collection includes a variety of mixed materials and medical records, including: photographs, clinical notes, patient evaluations, family medical histories, newspaper clippings, X-rays, and dental records.

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Creators:
Bard, Joellen
Dates:
1953-1977
Size:
0.7 Linear feet
Collection ID:
AAA.bardjoel
Repository:
Archives of American Art

Joellen Bard's, Ruth Fortel's, and Helen Thomas' exhibition records of The Tenth Street Days: The Co-ops of the 50s measure 0.7 linear feet and date from 1953-1977. The collection documents the research for, and organization of, this exhibition held at Amos Eno Gallery, 14 Sculptors Gallery, Noho Galley, Pleiades Galley, and Ward-Nasse Gallery, December 20, 1977 through January 7, 1978. Records consist of a grant proposal and related documentation; printed material including an exhibition catalog and poster; research files including 35-mm color slides and photographs; and 2 scrapbooks containing biographical information, printed matter, and photographs of works of art relating to the corollary exhibition, Tenth Street in 1977.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1838-1981
Size:
4.38 Cubic feet (consisting of 9.5 boxes, 4 oversize folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Petroleum
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Petroleum forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery
Dates:
1961-2006
Size:
50 Linear feet
0.001 Gigabytes
Collection ID:
AAA.parkplag
Repository:
Archives of American Art

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

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