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Creators:
Salak, Dorothy E.
Ware, Dorothy
Miller, Elinor S.
Dates:
circa 1909-1940
Size:
0.03 Cubic feet (1 box)
Collection ID:
NMAH.AC.1110
Repository:
Archives Center, National Museum of American History

This collection consists of paper dolls, cut figures from magazines, and magazines belonging to Elinor S. Miller and Dorothy Ware from circa 1909-1940.

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Creators:
Gottlieb, Rosalie F.
Luchton, Bernard, 1924-1970
Dates:
1949-1970
Size:
1 Cubic foot (2 boxes)
Collection ID:
NMAH.AC.0758
Repository:
Archives Center, National Museum of American History

Collection consists of dvertising materials relating to Bernard Luchton's development of U.S. Savings Bond Stamps, including scrapbooks, posters, drawings, and photographs.

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Creators:
Musical History, Division of (NMAH, SI)
Ellington, Duke, 1899-1974
Dates:
1903 - 1989
Size:
400 Cubic feet
Collection ID:
NMAH.AC.0301
Repository:
Archives Center, National Museum of American History

The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.

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Creators:
Frank K. M. Rehn Galleries
Dates:
1858-1969
bulk 1919-1968
Size:
21.8 Linear feet
Collection ID:
AAA.franrehg
Repository:
Archives of American Art

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Dates:
1915, circa 1920s
Size:
0.07 Cubic feet (1 box, Photograph, gelatin silver cellulose acetate transparency (copied from a black and white halftone screened image) mounted in 0.45-inch thick black painted wood frame with rounded corners; thick, flocked, faded burgundy oval vignette mat; backed with text-printed brown paper., 3.4 x 4.25 x 0.45 inches)
Collection ID:
NASM.XXXX.1211
Repository:
National Air and Space Museum Archives

This collection consists of three copies of a photograph of Anthony "Tony" Stadlman and Percy G. B. "Bud" Morriss seated in the cockpit of Morriss's Benoist flying boat in Grand Rapids, Michigan. The photograph, probably produced as a souvenir item at some time in the 1920s, is mounted in a small black-painted wood frame with a thick, flocked, oval mat, and carries this printed text on the reverse: "This is an authentic photograph taken in Grand Rapids, 1915, of P. G. B. (Bud) Morriss at the Controls of his Benoist Flying Boat, accompanied by his Chief mechanician, Tony Stadlman, who later became Superintendant of the Lockheed Airplane Company in Burbank."

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
October 5-10, 1977
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1977
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Cruz, Emilio, 1938-
Dates:
1961-2008
Size:
5 Linear feet
Collection ID:
AAA.cruzemil
Repository:
Archives of American Art

The papers of African American artist and writer Emilio Cruz measure 5 linear feet and date from 1961 to 2008. The collection includes biographical material, correspondence, writings, personal business records, exhibition and project files, printed material, and photographic material.

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Creators:
Kepes, Gyorgy, 1906-2001
Dates:
1909-2003
bulk 1935-1985
Size:
21.2 Linear feet
Collection ID:
AAA.kepegyor
Repository:
Archives of American Art

The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

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Creators:
Roloff, John, 1947-
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 August 17-18
Size:
13 Items (Sound recording: 13 sound files (8 hr., 50 min.), digital, wav file)
155 Pages (Transcript)
Collection ID:
AAA.roloff09
Repository:
Archives of American Art

An interview of John Roloff conducted 2009 August 17-18, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Roloff's studio, in Oakland, California.

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