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Creators:
Weber-Fulop, Elisabeth, 1886-1966
Dates:
1921-1966
Size:
0.2 Linear feet
Collection ID:
AAA.webeelis
Repository:
Archives of American Art

Papers of painter Elisabeth Weber-Fulop measure 0.2 linear feet and date from 1921 to 1966. Biographical material, letters, printed material, and photographs document Weber-Fulop's career and artwork.

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Creators:
Liberman, Alexander, 1912-1999
Dates:
circa 1912-2003
Size:
59 Linear feet
Collection ID:
AAA.libealex
Repository:
Archives of American Art

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

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Creators:
Schaeffer Galleries
Dates:
circa 1921-1982
bulk 1935-1950
Size:
1.6 Linear feet
Collection ID:
AAA.schagall
Repository:
Archives of American Art

The Schaeffer Galleries records measure 1.6 linear feet and date from circa 1921 to 1982, with the bulk of the material dating from 1935-1950 when the gallery was most active. Owned by Hanns S. and Kate Schaeffer, the gallery first operated in Berlin from 1925 to 1939 and later in New York City from 1936 to circa 2000. Correspondence, subject and exhibition files, purchase records, printed materials, and photographs document the gallery's operations. Primary correspondents include art collector Arthur C. Tate and the gallery's Pacific Coast Director LeRoy Backus.

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1995-2006
Size:
11.5 cu. ft. (11 record storage boxes) (1 document box)
Collection ID:
Accession 08-059
Repository:
Smithsonian Institution Archives

These records document the work of the Smithsonian Institution Traveling Exhibition Service (SITES) in the planning, execution, administration, and promotion of traveling exhibitions. Materials include correspondence, memoranda, press releases, press kits, photographs, slides, transparencies, scripts, itineraries, floor plans, checklists, clip...

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Creators:
National Museum of American Art. Research and Scholars Center
Dates:
1977-1995
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 96-068
Repository:
Smithsonian Institution Archives

This accession consists of the departmental records of the Research and Scholars Center at the National Museum of American Art (1989-present), formerly known as the Office of Research Support (1982-1989). Most of the files date from the 1980s and reflect the activities of Office Chief Eleanor E. Fink, 1976-1987, and Rachel M. Allen as Ass...

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Creators:
Feitelson, Lorser, 1898-1978
Dates:
circa 1890s-2002
Size:
15.6 Linear feet
Collection ID:
AAA.feitlors
Repository:
Archives of American Art

The papers of Los Angeles painters and art instructors Lorser Feitelson and Helen Lundeberg measure 15.6 linear feet and date from circa 1890s to 2002. The papers document the careers of the two artists, including their establishment of the Post-surrealism movement in southern California, their work for federal arts programs, and their later abstract artwork. Found are biographical materials, correspondence, personal business records, exhibition files, printed materials, photographs, and one sound recording.

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Dates:
1887-1986
Size:
2 Photographic prints (color)
6,859 Postcards (color, 10 x 15 cm. or smaller)
Collection ID:
EEPA.2001-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Picture postcards collected by Stephen Grant, Education Official, U.S. Agency for International Development (USAID), while serving in Africa.

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Creators:
Sanchez, Emilio, 1921-1999
Dates:
1922-2012
Size:
18.1 Linear feet
Collection ID:
AAA.sancemil
Repository:
Archives of American Art

The collection measures 18.1 linear feet, dates from 1922 to 2012, and documents the career of Cuban-born painter and printmaker, Emilio Sanchez. The collection includes letters to Sanchez, business records, photographs of the artist and sources for his artwork, many original sketches, printed material, and calendars.

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Creators:
Volk, Leonard Wells, 1828-1895
Volk, Douglas , 1856-1935
Dates:
circa 1858-1965
2008
bulk 1870-1935
Size:
12.4 Linear feet
Collection ID:
AAA.volkleon
Repository:
Archives of American Art

The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.

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Creators:
Boris Mirski Gallery (Boston, Mass.)
Dates:
circa 1936-2000
bulk 1945-1972
Size:
6.2 Linear feet
Collection ID:
AAA.mirsbori
Repository:
Archives of American Art

The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

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