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Creators:
National Museum of Natural History
Dates:
circa 1835-1974 and undated
Size:
0.68 cu. ft. (1 half document box) (1 12x17 box) (1 folder oversize materials)
Collection ID:
Record Unit 7220
Repository:
Smithsonian Institution Archives

This record unit consists of a small amount of notes, lists, and illustrations in the Archives, and a much larger quantity of field notes, catalogs, and records kept in the Division of Fishes, Cataloging Room.

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Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Rice, Moses P.
Custom Craft
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Dates:
1951-1994
Size:
57 Boxes
Collection ID:
NMAH.AC.0618.S09
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 9 consists of paper documents relating to the administrative, financial, sales records, employee and personnel, and other files about the affairs of the Custom Craft business's day-to-day operations. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1827-1986; undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0300.S09
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
McGuigan, Mary K.
Dates:
1794-1938
Size:
0.6 Linear feet
Collection ID:
AAA.mcgumary
Repository:
Archives of American Art

The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Olmsted Brothers
Sears, Thomas Warren, 1880-1966
Harvard University
American Society of Landscape Architects
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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Creators:
National Museum of African Art (U.S.)
Dates:
1898-[ongoing]
Size:
61 Volumes
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.

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Creators:
Vidal, Teodoro
Dates:
1592-1992
Size:
4 Cubic feet (15 boxes, 10 oversized folders)
Collection ID:
NMAH.AC.0712
Repository:
Archives Center, National Museum of American History

Maps, prints, posters, religious articles, publications and photographs, relating to the history and culture of Puerto Rico. Mr. Vidal's family and personal papers are also included.

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Creators:
Borgatti, Jean
Dates:
1971-2003
Size:
3617 slides (photographs) (color, 35 mm)
166 contact sheets ((2 binders))
3555 negatives (photographic) (black and white, 35 mm)
4 Notebooks ((1 box))
1 cassette tape ((2 boxes))
25 Film reels (Super 8)
Collection ID:
EEPA.2016-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Jean Borgatti's collection dates from 1971 to 2003 and was created in Nigeria and Ghana. Much of the collection documents masquerades, shrines, festivals, market scenes, and ceremonies, and includes images of Urhobo, Uzairue, Ishan (Esan), Etsako, and Otuo peoples.

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Creators:
Princeton University
Dates:
1863-1950
Size:
135 Cubic feet (10,690 posters)
Collection ID:
NMAH.AC.0433
Repository:
Archives Center, National Museum of American History

Primarily war-related posters.

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