[ ]
Collapse
[ ]
Expand
Creators:
National Museum of the American Indian, Office of Administration
Dates:
2003-2006
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 10-203
Repository:
Smithsonian Institution Archives

This accession consists of purchase orders, contracts, correspondence, and agreements relating to intellectual property rights concerning rights-in-data purchase orders.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of American Art. Department of Painting and Sculpture
Dates:
circa 1969-1986
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Record Unit 460
Repository:
Smithsonian Institution Archives

This record unit consists of administrative files of the Department and documents the activities of its curators, Rand, Mecklenburg, Truettner, and Breeskin. The files contain information about Department relations with other National Museum of American Art (NMAA) offices concerning loans, shipments, requests for information, conservation, ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
circa 1977-2002
Size:
22 cu. ft. (22 record storage boxes)
Collection ID:
Accession 03-129
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, execution, administration, and promotion of traveling exhibitions. Materials include correspondence, memoranda, press releases, press kits, catalog text, itineraries, fact sheets, checklists, meeting agendas, clippings, budgets, proposals, brochures, notes, videotapes, photographs,...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of American History. Department of Social and Cultural History
Dates:
1981-1985
Size:
10.8 cu. ft. (10 record storage boxes) (1 document box) (1 oversize folder)
Collection ID:
Accession 86-155
Repository:
Smithsonian Institution Archives

This accession consists of records that document research for the major permanent exhibition in the museum, After the Revolution: Everyday Life in America, 1780-1800, which opened in 1985. Included are scripts; contracted research reports by non-museum historians; graphics files for logos and stationery; public relations and educational t...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of American Art. Curatorial Department
Dates:
1965-1993
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 97-109
Repository:
Smithsonian Institution Archives

This accession consists mostly of files documenting the exhibitions developed by the Curatorial Office, National Museum of American Art (NMAA), from 1982 to 1993. The exhibition files document all stages of exhibition planning, and include exhibition prospectuses; timetables and schedules; expense reports; loan agreements; fundraising informat...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of American History (U.S.). Division of Transportation
Finney, Bill
White, Roger
Dates:
1925-1930.
Size:
0.2 Cubic feet (1 box)
Collection ID:
NMAH.AC.0790
Repository:
Archives Center, National Museum of American History

Nitrate negatives depicting street views with automobiles and railroad cars, in several areas of the country. Many are numbered and dated in ink on the negative. The groups are: views of Newark, Ohio, by Bill Finney, March 19, 1926; Huntington, West Virginia, 1927; Cumberland, Md., by Bill Finney, Oct. 28, 1925; and "Baltimore, Md.--Sharp St. Looking South from Camden St. / for Police Dept. / Oct. 21, 1930.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 slides (photographs) (color)
1 map (black & white, 50 x 70 cm.)
1 map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
American Telephone and Telegraph Company
National Museum of American History (U.S.). Division of Information, Technology and Society
Dates:
1942-1978
Size:
39 Items
Collection ID:
NMAH.AC.0684
Repository:
Archives Center, National Museum of American History

Thirty-nine 16mm films on various subjects relating to telephone systems and communications, such as pole worker safety; party line etiquette; the transition from silent film to sound film; and the application of satellites, lasers and transistors to sound communication.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1920-1994
Size:
34 cu. ft. (34 record storage boxes)
Collection ID:
Accession 97-001
Repository:
Smithsonian Institution Archives

This accession consists of the administrative records of the National Museum of American Art, Office of the Registrar, 1920-1994, with the majority dated 1985-1994. The records include Exhibition Files, 1920-1960 and 1986-1991; Photo Requests, 1987-1992; Read Files, 1985-1993; Loan Forms/Photos Ordered, 1989-1993; Permission Forms, numbered ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Emily Dean
Edwin R. Dean
Dates:
1965-1967
Size:
117 Slides (photographs) (color)
Collection ID:
EEPA.2002-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Slides taken in Nigeria, 1965-67, a few years after independence and at the eve of the Biafra War by Edwin R. and Emily Dean. Emily Dean took most of the photographs. She taught at the St. Louis Secondary School. The images are typical for the time period (note that some of them are half frame images, taken with a type of camera heavily promoted in the 1960s). Geographic locations reflect the Deans' experiences and travel: the University of Ibadan Campus, the Jos Museum, Bida , Zaria, Kano, Lagos, and Abeokuta. Of particular interest is a series of Adire production in Abeokuta, the old palace at Idanre and the Timi of Ede's Shango shrine.

Found In