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Creators:
Smithsonian Institution, Office of the Secretary, Special Consultant to the Secretary (James C. Bradley)
Dates:
1963
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 84-195
Repository:
Smithsonian Institution Archives

This accession consists of records maintained by Dorothy Rosenberg after James C. Bradley's death. Materials relate primarily to a publication Bradley was preparing on "events," and include other topical files relating to Smithsonian offices and museums.

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Creators:
Vargus, Ione
Dates:
1910-2006
Size:
8 Linear feet
Collection ID:
NMAAHC.A2014.39
Repository:
National Museum of African American History and Culture

Edward Dugger (1894-1939) served as a first lieutenant and commanding officer in the African American unit, 372nd Infantry, during the 1920s and 1930s. The 372nd Infantry Regiment was a troop that was part of the 93rd Infantry Division (Colored) which served with the French Army during World War I. He retired in 1936 with the rank of Lieutenant Colonel with the Massachusetts National Guard and passed away in 1939.

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Creators:
Smithsonian Institution. Directorate of International Activities. Office of Service and Protocol
Dates:
1984-1988
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 95-071
Repository:
Smithsonian Institution Archives

This accession consists of records that document the development and publication of "A Summary Report: Profile of the Smithsonian Institution's International Activities and Foreign Interests," published by the Office of Service and Protocol of the Directorate of International Activities. The purpose of the report was to assemble and summarize ...

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Creators:
Seckler, Dorothy Gees, 1910-1994
Dates:
1962-1976
Size:
1.6 Linear feet
Collection ID:
AAA.seckdoro
Repository:
Archives of American Art

The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 17 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.

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Creators:
Crossfield, A. Scott (Albert Scott), 1921-
Dates:
1940 - 2004
Size:
18.71 Cubic feet (42 boxes)
Collection ID:
NASM.2006.0041
Repository:
National Air and Space Museum Archives

This collection consists of over nine cubic feet of material documenting Scott Crossfield's aviation career, with emphasis on his involvement with the North American X-15. The following types of material are included: correspondence; reel to reel tapes; papers, manuscripts; newspaper and magazine clippings; aviation manuals; photographs; film; and Crossfield's notes and reports.

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Creators:
National Museum of Natural History. Associate Director for Science
Dates:
1977-1998
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 02-251
Repository:
Smithsonian Institution Archives

This accession consists of subject files from the Office of the Associate Director for Science. Associate Directors represented in these materials include Daniel E. Appleman, 1989-1993; Anna K. Behrensmeyer, Acting Associate Director for Science, 1993-1995, David L. Pawson, 1995-1998, and Ross B. Simons, Acting Associate Director for Scie...

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18.9 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.

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Creators:
Smith, Joseph Lindon, 1863-1950
Dates:
1647-1965
bulk 1873-1965
Size:
8.8 Linear feet
Collection ID:
AAA.smitjose
Repository:
Archives of American Art

The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

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Creators:
Feitelson, Lorser, 1898-1978
Dates:
circa 1890s-2002
Size:
15.6 Linear feet
Collection ID:
AAA.feitlors
Repository:
Archives of American Art

The papers of Los Angeles painters and art instructors Lorser Feitelson and Helen Lundeberg measure 15.6 linear feet and date from circa 1890s to 2002. The papers document the careers of the two artists, including their establishment of the Post-surrealism movement in southern California, their work for federal arts programs, and their later abstract artwork. Found are biographical materials, correspondence, personal business records, exhibition files, printed materials, photographs, and one sound recording.

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Dates:
1992-1993
Size:
11 videotapes.
Collection ID:
Record Unit 9577
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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