[ ]
Collapse
[ ]
Expand
Creators:
Volk, Leonard Wells, 1828-1895
Volk, Douglas , 1856-1935
Dates:
circa 1858-1965
2008
bulk 1870-1935
Size:
12.4 Linear feet
Collection ID:
AAA.volkleon
Repository:
Archives of American Art

The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Weyhe Gallery
Dates:
1921-2014
Size:
15.3 Linear feet
Collection ID:
AAA.weyhgall
Repository:
Archives of American Art

The records of New York gallery and bookstore Weyhe Gallery measure 15.3 linear feet and date from 1921 to 2014. The collection is comprised of administrative files that include material related to the daily functions of the gallery; correspondence with curators, dealers, museums, clients, and artists including Ansel Adams, Alexander Brook, Galerie Alfred Flechtheim, Hilla Rebay, and Marion Willard, among others, and from Lynton Kistler to Carl Zigrosser expressing his desire to exhibit his collection of hand-printed lithographs; artist files that include correspondence and business records; financial records consisting of loan and consignment records, sales invoices, ledgers, and other material that documents the movement of artwork through the gallery and bookstore; printed materials that include photocopies of sales catalogs, clippings, exhibition announcements and catalogs, and other material; and photocopies of 8 volumes of scrapbooks containing clippings relating to artists, prints, and the gallery.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Burnett, Calvin, 1921-2007
Dates:
1920-1979
bulk 1960s-1970s
Size:
6.1 Linear feet
Collection ID:
AAA.burncalv
Repository:
Archives of American Art

The papers of graphic artist and arts educator Calvin Burnett measure 6.1 linear feet and date from 1920 to 1979, with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, correspondence, writings, material related to his education and professional activities, personal business records, printed material, a scrapbook, and a small amount of photographs and artwork.

Found In
[ ]
Collapse
[ ]
Expand
Dates:
[circa 1890-1900]
Size:
174 photographic prints ((1 box), black & white, 15.5 x 23 cm. or smaller)
Collection ID:
EEPA.2000-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of Ovonramwen, the King of Benin, on his way into exile in 1897, and of other kings in the Niger Delta kingdoms. Portraits included are of Sir Claude Maxwell and Lady Macdonald and Roger Casement, Prince Achibong III of Old Calabar; New Calabar Chief and Wives; Lady Egba and Chief Pagby and Attendants; Ladies of Rank in Old Calabar; Eyo Honesty VIII; Chief Long John of Bonny after Death and chiefs of Opobo. Views of landscape included are of Calabar and Madeira.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Bohm, Max, 1868-1923
Dates:
1873-1970
bulk 1880-1959
Size:
5.6 Linear feet
Collection ID:
AAA.bohmmax
Repository:
Archives of American Art

The papers of painter Max Bohm measure 5.6 linear feet and date from 1873-1970, with the bulk of the material dating from 1880-1959. Biographical material includes a file concerning the Provincetown artist's club The Beachcombers. Also found is detailed family correspondence, as well as general correspondence that includes exchanges with patron Mary Beecher Longyear and dealer William Macbeth. The papers contain scattered business records; five diaries written by Bohm's wife Zella; other notes and writings; art work including fifteen sketchbooks, loose drawings, and oil paintings; printed material; and photographs of Bohm, his family, and colleagues including artists attending a Salmagundi dinner. There is also a motion picture film Six Foot Art, in Which Max Bohm, Member of the National Academy Tells How He Does It.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Director
Dates:
1999-2001
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 03-060
Repository:
Smithsonian Institution Archives

These records document the curatorial activities of Neal Benezra, Assistant Director for Art and Public Programs, regarding the development and execution of Clyfford Still: Paintings, 1944-1960. The exhibition opened at the Hirshhorn Museum and Sculpture Garden on June 21, 2001, and closed September 16, 2001. Materials include audiotapes, ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 electronic discs (dvd)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 prints (visual works)
2488 negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Macdonald, Claude, Major General
Dates:
circa 1895
Size:
135 negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
135 photographic prints (albumen, black & white, 14 x 21 cm.)
135 photographic prints (copy prints (2 v.), black & white, 8 x 10 in.)
Collection ID:
EEPA.1996-019
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographic album formerly belonging to Major General Claude Maxwell Macdonald (1852-1915), Commissioner, Oil Rivers Protectorate, in West Africa, circa 1895. The album contains photographs of the consulate general in Old Calabar, Opobo and Bonny. Images, such as the arrival of Lady Macdonald in 1895 (returning from a home leave), interiors of British residences, and (named) group portraits of the British reflect colonial life and infrastructure. Native and British troops are depicted as well. Several images show the results of the British attacks on Brass and Nembe, in retaliation for King Nana's unwillingness to cooperate. Several images were taken of chiefs, among them a copy photograph of a 1882 image of King Nana of the Benin River, King Jaja of Opobo, King Koko of Brass, King Duke IX of Old Calabar, and King George Pebble of Bonny. Perhaps the most outstanding imagery is a series "On the way to Benin," which contains the photograph of an altar, a crucified woman, a forest path, and a contingent of British colonials. Several remarkable photographs depict Cross River masquerades with head crests, dances of Kru "Boys," and portray women of the Niger Delta. One photograph, showing the bronze sculpture of a Benin horseman placed on a rug in front of a wall (very likely taken in Nigeria), is of great interest for art historians. This particular figure left Benin before the city was ransacked and destroyed by the British Punitive Expedition in 1987, and, according to William B. Fagg, eminent historian of Nigerian art, came to the Merseyside County Museums, Liverpool, UK, as early as 1892 (note that Macdonald arrived in the Oil Rivers Protectorate in 1891).

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1985-1995
Size:
20 cu. ft. (20 record storage boxes) (30 oversize folders)
Collection ID:
Accession 96-028
Repository:
Smithsonian Institution Archives

This accession consists of project files for various renovation and construction projects within Smithsonian Institution buildings. Box 20 contains microfilms and microfiches of documents, and of 1165 blueprints and architectural drawings. Buildings and museums documented in this collection include: National Air and Space Museum, Smithsonian I...

Found In
[ ]
Collapse
[ ]
Expand
Dates:
1936-1941
Size:
269 Photographic prints (1 box, 1 album; black & white, 12 x 16 cm. )
Collection ID:
EEPA.1995-019
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection includes one photographic album containing 269 silver gelatin black and white prints (12 x 16 cm.) and dates from 1936-1941. The photographs were taken in northern Ethiopia, and possibly Somalia. The images highlight peoples including the Danakil and Afar, dress, adornments, coiffures, churches, and historical residence, among other subjects.

Found In