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Creators:
National Museum of American History. Department of the History of Science and Technology
Dates:
circa 1979-1990, and undated
Size:
23.69 cu. ft. (23 record storage boxes) (1 16x20 box)
Collection ID:
Accession 00-001
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of Information Age: People, Information, and Technology, a major exhibition at the National Museum of American History (NMAH), which traces the evolution of information-processing and communications technologies from the 1830s to the present. The ...

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Creators:
National Museum of American History. Information Technology and Communications
Dates:
2001-2005
Size:
5.07 cu. ft. (3 record storage boxes) (3 16x20 boxes)
Collection ID:
Accession 05-180
Repository:
Smithsonian Institution Archives

This accession consists of the records of David Kite Allison and document his role as Project Director for the National Museum of American History exhibition The Price of Freedom: Americans at War. Materials include correspondence, memoranda, and notes; exhibition proposals, scripts, graphic illustrations, and installation photographs; bu...

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Creators:
Blesh, Rudi, 1899-1985
Dates:
circa 1900-1983
Size:
2.1 Linear feet
Collection ID:
AAA.blesrudi
Repository:
Archives of American Art

The papers of writer, critic, and architectural designer Rudi Blesh measure 2.1 linear feet and date from circa 1900 to 1983. The collection includes correspondence, documentation on writing projects and notes, printed materials, and photograpic materials. Much of the material concerns his collaboration with Harriet Janis on the book Collage: Personalities, Concepts, Techniques.

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Creators:
Perine, Robert
Dates:
circa 1923-circa 1985
Size:
1.8 Linear feet
Collection ID:
AAA.perirobe
Repository:
Archives of American Art

The Robert Perine research material on the Chouinard Art Institute measures 1.8 linear feet and date from circa 1923 to circa 1985. Documents consist of research material used in Perine's book Chouinard: An Art Vision Betrayed (1985) including catalogs for the Chouinard Institute and California Institute of the Arts; notes and preliminary writings for the book, including an annotated table of contents and a bibliography; floor plans of the Institute; material concerning the lawsuit brought against the board of trustees in an attempt to prevent the closing of the school; 158 photographs of Nelbert Chouinard, classes, students and buildings; and 27 sound cassettes of interviews of 52 artists and staff, some with partial transcripts.

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Creators:
Smithsonian Institution. Office of Museum Programs
Dates:
1979-1988
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Record Unit 630
Repository:
Smithsonian Institution Archives

These records document the operations of the Office of Museum Programs (OMP) and its work in the museum community. Of special interest are records of the Kellogg Project, funded by the Kellogg Foundation in an effort to expand the educational influence of museums.

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Creators:
Bartsch, Paul, 1871-1960
Dates:
1901-1963
Size:
9.78 cu. ft. (1 record storage box) (17 document boxes) (1 half document box) (1 oversize folder)
Collection ID:
Record Unit 7089
Repository:
Smithsonian Institution Archives

These papers include a very small amount of general correspondence regarding membership in scientific organizations and actions taken by the Washington Council of Social Agencies (1930); field notes of bird investigations in Haiti, Florida, the Florida Keys, and the West Indies (1912-1927); research notes taken on the Albatross Philippine ...

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Creators:
National Portrait Gallery, Dept. of Design and Production
Dates:
1984-2006
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 07-061
Repository:
Smithsonian Institution Archives

This accession consists of two series and documents the Department of Design and Production's role in restoration and renovation projects at the National Portrait Gallery (NPG). Series 1 consists of records documenting miscellaneous projects involving conservation lab ventilation, lighting, the courtyard fountain, exterior stone and window ...

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Creators:
National Museum of American History. Division of Cultural History
Dates:
1971-2004
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 07-143
Repository:
Smithsonian Institution Archives

This accession consists of the records of Cynthia Adams Hoover (CAH), Curator Emeritus at the National Museum of American History (NMAH), and document her involvement in the organization of the exhibitions Piano 300: Celebrating Three Centuries of People and Pianos and Music Machines - American Style during the years she was Associate Cur...

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Creators:
National Museum of History and Technology. Division of Electricity and Modern Physics
Dates:
1886-1978
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Record Unit 250
Repository:
Smithsonian Institution Archives

These records of the Division of Electricity and Modern Physics relating to electricity consist of some early general correspondence, primarily of George C. Maynard, but also including that of J. Elfreth Watkins and Carl W. Mitman, concerning the inventions of Alexander Graham Bell, Samuel F. B. Morse, Alfred Vail, and inventors of dynamos ...

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Creators:
Sturtevant, 1924-2014
Dates:
circa 1960-2014
bulk 1990-2014
Size:
5.2 Linear feet
0.003 Gigabytes
Collection ID:
AAA.sturelai
Repository:
Archives of American Art

The papers of multi-media artist Elaine Sturtevant date from circa 1960-2014, with the bulk of material dating from the period of the artist's resurgence, 1990-2014. The collection measures 5.2 linear feet and 0.003 GB. The papers document Sturtevant's career and artistic process through correspondence with artists and curators, writings and illustrated notes, exhibition and catalog files, project files, and printed material. Sturtevant's voice and artistic mission emerge through the many items of correspondence, essays, and project notes in the collection. The collection also contains a few born-digital files of scans of exhibition photographs dating from the 1960s.

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