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Creators:
Shamir, Marli
Dates:
1966-1976
Size:
33 Negatives (photographic) (color, 35mm)
1790 Negatives (photographic) (black and white, 120mm)
1,519 Color slides (35mm)
Collection ID:
EEPA.2013-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.

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Creators:
Durrie, George Henry, 1820-1863
Dates:
1845-1846
Size:
1 Item ((on 1 partial microfilm reel))
Collection ID:
AAA.durrgeor
Repository:
Archives of American Art

A typed copy of George H. Durrie's diary, January 1, 1845 to July 1, 1846. The diary consists of 548 entries written while Durrie was in Hartford, Connecticut, and Richmond, Virginia. He writes about his everyday activities, the people with whom he associates, his thoughts on daily events, etc. This copy was made by Whitlock's, Inc., New Haven, Con...

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Creators:
White, Charles, 1918-1979
Williamson, Mel
Dates:
1956-1961
1956-1961
Size:
0.2 Linear feet
0.2 Linear feet
Collection ID:
AAA.willimel
Repository:
Archives of American Art

The Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson measure 0.2 linear feet and date from 1956 to 1961. The collection includes twenty-eight letters written by Charles and Frances White to Melvin (Mel) and Lorraine Williamson shortly after their arrival in California. Approximately half of the letters are written by Charles, the other half by Frances, and two letters are written jointly. Most are signed from "Chas & Fran." Also included in the collection are photographs that Charles and Frances sent the Williamsons of their home and Charles' studio, and printed material including clippings and exhibition brochures.

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1969-1985
Size:
18 albumen prints (b&w)
Collection ID:
FSA.A.15
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin ...

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Creators:
Lazzari, Pietro, 1898-1979
Dates:
1878-1998
Size:
12.84 Linear feet
Collection ID:
AAA.lazzpiet
Repository:
Archives of American Art

The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.

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Creators:
Anacostia Community Museum
Dates:
2007 - 2008
Size:
2.75 Linear feet (4 boxes)
Collection ID:
ACMA.03-052
Repository:
Anacostia Community Museum Archives

An exhibition to commemorate the 40th anniversary of the founding of the Anacostia Community Museum, formerly known as the Anacostia Neighborhood Museum, organized by the museum and held there September 15, 2007 through November 9, 2008. The exhibit explored the development of community life of neighborhoods east of the Anacostia River, beginning with the original inhabitation by Native Americans up to the present.

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Creators:
Dale, Chester, b. 1883
Dates:
circa 1883-2003
bulk 1920-1970
Size:
8.4 Linear feet
Collection ID:
AAA.daleches
Repository:
Archives of American Art

The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

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Creators:
Sterner, Harold
Dates:
1929-1978
Size:
0.4 Linear feet
Collection ID:
AAA.sterharl
Repository:
Archives of American Art

Correspondence; 2 drawings of architectural details; lists of works of art and architectural projects; photographs of Sterner, his mother, his friends, and of his architectural projects and paintings; clippings and exhibition catalogs; writings by Sterner, including pages from a diary, autobiographical essays, essays on art and architecture, and an...

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Creators:
Millier, Arthur, 1893-
Dates:
1906-1975
Size:
0.4 Linear feet ((on partial microfilm reel))
Collection ID:
AAA.millarth
Repository:
Archives of American Art

A resume and a commendation; 35 letters, including 2 from Theodore Dreiser, and 23 condolence letters to Sarah Millier, 1975, and correspondence with Marvin Ross; a guest book, 1972, from an exhibition of Millier's work; writings by Millier; a scrapbook of clippings, 1963-1969; an album, 1906-1908, containing writings, 14 sketches by various artist...

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Creators:
Stamos, Theodoros, 1922-1997
Dates:
circa 1922-2008
Size:
3.1 Linear feet
Collection ID:
AAA.stamtheo
Repository:
Archives of American Art

The papers of Theodoros Stamos measure 3.1 linear feet and date from circa 1922-2008. Stamos was a painter primarily associated with the first generation of Abstract Expressionists. Biographical materials, correspondence, writings, business and legal records, printed materials, and photographs document Stamos' career as a painter. Also included are materials relating to the Rothko estate controversy compiled by Stamos' sister, Georgianna Savas, as well as her papers concerning arrangements for Stamos' funeral and posthumous exhibition plans.

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