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Creators:
Constant, George
Dates:
1912-2007
bulk 1932-1978
Size:
4.6 Linear feet
Collection ID:
AAA.consgeor
Repository:
Archives of American Art

The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.

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Creators:
Holty, Carl, 1900-1973
Dates:
circa 1860s-1972
bulk 1940-1967
Size:
1.8 Linear feet
Collection ID:
AAA.holtcarl
Repository:
Archives of American Art

The Carl Holty papers are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and contain correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.

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Creators:
Bruce, Edward, 1879-1943
Dates:
1902-1960
bulk 1932-1942
Size:
8.9 Linear feet
Collection ID:
AAA.brucedwa
Repository:
Archives of American Art

The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.

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Creators:
Friedman, Dan, 1945-1995
Dates:
1967 - 1995
Size:
16 Cubic feet
Collection ID:
NMAH.AC.1277
Repository:
Archives Center, National Museum of American History

General correspondence files contain all communications that do not pertain to a specific project. Because Friedman's personal life and business were so interconnected, many of his business associates also shared personal correspondence with the designer.,Materials in this collection document Friedman's work from 1967, as a student, until his death...

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Creators:
Roebling, Charles Gustavus, 1849-1918
Roebling, Ferdinand W. (Ferdinand William), 1842-1917
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
John A. Roebling's Sons Company
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Dates:
1836-1975
bulk 1930-1950
Size:
18.5 Cubic feet (62 boxes)
Collection ID:
NMAH.AC.0981
Repository:
Archives Center, National Museum of American History

Collection documents the work of the John A. Roebling's Sons Company, builders of bridges. The materials consist primarily of photograph albums documenting some of the bridges, tramways, ski lifts and chair lifts that Roebling's Sons Company was involved with. The documentation also includes specifications, patents, and reference materials about the engineering process of building bridges and bridges in general.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1724-1975
Size:
13.66 Cubic feet (consisting of 30 boxes, 2 folders, 6 oversize folders.)
Collection ID:
NMAH.AC.0060.S01.01.Banking
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Banking and Banks forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Adler, Solomon, 1901-1989
Dates:
1916-1980
bulk 1950-1966
Size:
4.5 Cubic feet (5 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1157
Repository:
Archives Center, National Museum of American History

The papers document independent inventor Solomon Adler's work with sewing machine technology through correspondence, photographs, notes, drawings, sketches, patents, litigation records, and printed materials. The collection provides insight into both an independent inventor's process of invention and Japanese work culture during the post-World War II period.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1995
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1995
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Berman, Avis
Dates:
1939-2006
Size:
3 Linear feet
Collection ID:
AAA.bermavis3
Repository:
Archives of American Art

The Avis Berman research material on art dealer and curator Katharine Kuh measures 3.0 linear feet and dates from 1939 to 2006. The materials were compiled by art historian Avis Berman in preparing Katharine Kuh's memoir, which was published posthumously as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator. The collection includes Katharine Kuh's files; Kuh's drafts, manuscripts and interviews for her memoir; and Avis Berman's files relating to the book's publication. Also included is memorabilia.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1988-2014
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 17-189
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM), previously known as the National Museum of American Art, 1980-2000, as well as exhibitions displayed in the Renwick Gallery. These materials were primarily ...

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