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Creators:
Falkenstein, Claire, 1908-1997
Dates:
circa 1914-1997
bulk 1940-1990
Size:
42.8 Linear feet
Collection ID:
AAA.falkclai
Repository:
Archives of American Art

The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

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Creators:
Sterling Drug, Inc.
Winthrop Chemical Company
History Factory (Chantilly, Virginia)
Bayer Company
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Dates:
1867-1993
Size:
120 Cubic feet (261 boxes, 16 map-folders)
Collection ID:
NMAH.AC.0772
Repository:
Archives Center, National Museum of American History

The collection contains domestic and foreign advertising for both pharmaceutical and consumer health care products; sales and marketing materials for pharmaceuticals aimed at physicians, such as brochures, package inserts, reports, catalogs, price lists, manuals; the company's business and administrative papers, including annual reports, news relea...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2005
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2005
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1768-1973
Size:
37.8 Cubic feet (consisting of 76 boxes (including 12 off-site), 12 folders, 16 oversize folders, 7 flat boxes (6 full, 1 partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Dry
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Dry Goods forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Beal, Gifford, 1879-1956
Dates:
1889-2001
bulk 1900-1954
Size:
7.7 Linear feet
Collection ID:
AAA.bealgiff
Repository:
Archives of American Art

The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.

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Creators:
Meiere, M. Hildreth, d. 1961
Dates:
1901-2011
bulk 1911-1960
Size:
27.3 Linear feet
0.068 Gigabytes
Collection ID:
AAA.meiemari
Repository:
Archives of American Art

The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

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Creators:
Hills Bros. Coffee, Inc.
Dates:
1875 - 1965
Size:
65 Cubic feet
Collection ID:
NMAH.AC.0395
Repository:
Archives Center, National Museum of American History

Records of the Hills Bros. Coffee Company, Incorporated, documenting overall operations of the company, the creation of advertising materials, and development of the coffee trade.

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Creators:
Archives Center, NMAH, SI.
Gay Officers Action League. GOAL
Becker, John M.
Gay Officers Action League. GOAL
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Dates:
1915-2019, undated
bulk 1960-2019
Size:
59 Cubic feet (179 boxes, 20 map-folders)
Collection ID:
NMAH.AC.1146
Repository:
Archives Center, National Museum of American History

This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 consists of almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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