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Dates:
1989
Size:
7 videotapes (Reference copies). 25 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9542
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
National Museum of the American Indian. George Gustav Heye Center. Office of the Director
Dates:
1979-2014
Size:
7.01 cu. ft. (7 record storage boxes) (1 oversize folder)
Collection ID:
Accession 18-163
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by John Haworth, Director, George Gustav Heye Center, National Museum of the American Indian. Haworth was appointed Director in 1994 and retired from the National Museum of the American Indian (NMAI) in 2017. Located in New York City, the George Gustav Heye (GGHC) was initially a p...

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Creators:
Cooper-Hewitt Museum. Office of the Registrar
Dates:
circa 1937-1992
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Record Unit 540
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Hedges, Jimmy, 1942-2014
Dates:
1969-2016, bulk 1991-2013
Size:
23.5 Linear feet
15.63 Gigabytes
Collection ID:
AAA.hedgjimm
Repository:
Archives of American Art

The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.

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Creators:
Shaw, J. Clifford (John Clifford), 1922-1991
Dates:
1933-1993
bulk 1950-1971
Size:
20.5 Cubic feet (59 boxes, 4 oversize folders)
Collection ID:
NMAH.AC.0580
Repository:
Archives Center, National Museum of American History

The John Clifford Shaw papers contain reports, research notes, correspondence, memorandum, and diagrams documenting Shaw's development of one of the earliest list processing languages (IPL) and an early interactive, time sharing program, the JOHNNIAC Open Shop System (JOSS). The collection also contains printed material on the RAND Corporation and the evolution of the artificial intelligence and electronic computer industry in the 1950s and 1960s. In addition there is biographical material documenting Shaw's personal interests, family, and academic career.

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Creators:
Patterson, Frederick D. (Frederick Douglass), 1901-1988
Dates:
1882 - 1988
Size:
18.66 Linear feet (21 boxes)
Collection ID:
ACMA.06-010
Repository:
Anacostia Community Museum Archives

President of Tuskegee Normal and Industrial Institute (later Tukegee Institute; now Tuskegee University) from 1935 - 1953 and founder of the United Negro College Fund (1944). Patterson was born on October 10, 1901. Orphaned at age two, he was raised by his eldest sister, Wilhelmina (Bess), a school teacher in Texas. He studied at Iowa State College, where he received a doctorate in veterinary medicine in 1923 and a master of science degree in 1927. Five years later, he was awarded a second doctorate degree from Cornell University. Patterson taught veterinary science for four years at Virginia State College, where he was also Director of Agriculture. His tenure at Tuskegee University started in 1928 and spanned almost 25 years, first as head of the veterinary division, then as the director of the School of Agriculture and finally as Tuskegee's third president. He married Catherine Elizabeth Moton, daughter of Tuskegee University's second president, Dr. Robert R. Moton. Patterson also founded the School of Veterinary Medicine at Tuskegee in 1944, the same year he founded the United Negro College Fund (UNCF). The UNCF continues today as a critical source of annual income for a consortium of Historically Black Colleges and Universities, Tuskegee University among them.

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Creators:
National Museum of American Art. Department of Design and Production
Dates:
1964-1991
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Record Unit 451
Repository:
Smithsonian Institution Archives

These records consist of correspondence, memoranda, photographs, floor plans, illustrations, and architectural drawings which document the installation of exhibitions at the National Museum of American Art (NMAA) and the Renwick Gallery. Also included are exhibition scripts, catalogues, work orders, and administrative records of the Department...

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Creators:
National Museum of Natural History. Department of Entomology
Dates:
1903-2003
Size:
20 cu. ft. (20 record storage boxes)
Collection ID:
Accession 11-158
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Paul J. Spangler, curator at the National Museum of Natural History (NMNH). These records include correspondence, grants, loans, administrative records, research materials, manuscripts, specimen information, reference information, and materials related to his work with professional s...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1988
Size:
10.02 Cubic feet (consisting of 14.5 boxes, 10 oversize folders, 4 map case folders, 6 flat boxes (2 full, 4 partial).)
Collection ID:
NMAH.AC.0060.S01.01.Art
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Art forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Institute of Contemporary Arts (Washington, D.C.)
Dates:
1927-circa 1985
bulk 1947-1967
Size:
36 Linear feet
Collection ID:
AAA.instcona
Repository:
Archives of American Art

The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

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