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Creators:
Archives of American Art
Dates:
1957-2007
Size:
18 Items
Collection ID:
AAA.archiv57
Repository:
Archives of American Art

Recordings of meetings, lectures, symposia, and other events sponsored by or documenting organizational activities of the Archives of American ArtAAA) events .

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Creators:
Challinor, David, interviewee
Dates:
1999
Size:
27 audiotapes (Reference copies).
Collection ID:
Record Unit 9599
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Arnold, Rudy, 1902-1966
Dates:
circa 1920s-1950s
bulk 1920-1940
Size:
10.91 Cubic feet (9,579 photographic items)
25.37 Linear feet (38 boxes)
Collection ID:
NASM.XXXX.0356
Repository:
National Air and Space Museum Archives

Rudy Arnold (1902-1966) was introduced to photography in 1918. After studying at the New York School of Photography, he worked at the New York Journal-American and the New York Graphic. During his stint at the latter he started to focus on aviation photography. In 1928, Arnold started his own aviation photography business and worked out of the following New York air fields and airports during his career: Roosevelt Field, the old Curtiss Airport, Floyd Bennett Field, and LaGuardia Airport His coverage of a wrecked airliner in upstate New York was the first photograph sent by wire to newspapers across the country. Arnold's work appeared in every aviation magazine, house organs (Douglas, Grumman), and mass circulation magazines as well as many newspapers. He also did motion-picture camera work for Universal and Paramount.

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Dates:
1989-1990
Size:
5 videotapes (Reference copies). 22 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9549
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 28-July 7, 1991
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1991
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Liebes, Dorothy
Dates:
circa 1850-1973
bulk 1922-1970
Size:
25 Linear feet
Collection ID:
AAA.liebdoro
Repository:
Archives of American Art

The papers of weaver, textile designer, and businesswoman Dorothy Liebes are dated circa 1850-1973 (bulk 1922-1970), and comprise 25 linear feet. Biographical information, subject files, correspondence, writings, artwork, financial records, scrapbooks, textile samples, printed material, sound recordings, and photographs document Liebes' career and personal life. Her second husband, Associated Press Reporter Relman "Pat" Morin, is also represented in the collection, although to a much lesser extent.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-5, 1993
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1993
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Air and Space Museum. Space History Division
Dates:
1978, 1986-2004
Size:
4.5 cu. ft. (4 record storage boxes) (1 document box)
Collection ID:
Accession 19-148
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Valerie Neal, Curator, pertaining to the design, development, execution, and installation of the exhibition "Where Next, Columbus?." The exhibition marked the quincentenary of Christopher Columbus's voyage and considers the possibilities for future space exploration. Some records ...

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Creators:
Smithsonian Associates
Dates:
1999-2000
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 00-110
Repository:
Smithsonian Institution Archives

This accession consists of master cassette audiotapes of programs presented by the various program offices within the Smithsonian Associates.

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Creators:
Weinman, Adolph A. (Adolph Alexander), 1870-1952
Dates:
1890-1959
Size:
10.3 Linear feet
Collection ID:
AAA.weinadol
Repository:
Archives of American Art

The collection measures 10.3 linear feet, dates from 1890 to 1959, and documents the career of early twentieth century sculptor Adolph A. Weinman. Found within the papers are scattered biographical materials; project files for Weinman's sculpture and commissions; correspondence with colleagues, friends and family, and letterpress books containing copies of letters concerning specific sculpture commissions; files concerning Weinman's membership in the National Sculpture Society and the National Academy of Design; records concerning works of art held by dealers and in exhibitions and other miscellaneous financial materials; notes and a notebook; writings and speeches by Weinman; sketches and sketchbooks; printed materials; photographs and glass negatives. This material not only reflects the diversity of projects executed by this prolific sculptor, but illustrates the process of creation for many of his more important works.

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