11678 records — Page 980 of 1168
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Creators:
Mallery, Garrick, 1831-1894
Dates:
1849-1902
bulk 1870-1895
Size:
41.29 Linear feet (22 boxes, 29 folders, 3 mounted drawings, and 3 rolled items)
Collection ID:
NAA.MS2372
Repository:
National Anthropological Archives

Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
2009-2014
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 16-375
Repository:
Smithsonian Institution Archives

This accession consists of records documenting outgoing loans of works of art. Materials include correspondence, requests for loans, loan agreement forms, outgoing loan receipts, bills of lading, insurance documents, object images, facility reports, brochures, and related materials. Some materials are in electronic format.

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Creators:
Hance, William Adams, 1916-
Dates:
1949-1970
Size:
2513 Slides (photographs) (color , 35mm.)
17 Maps
117 Postcards
10 Items ((guidebooks))
Collection ID:
EEPA.2008-008
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection, which dates from 1949-1970, contains approximately 2513 color 35mm slides depicting the people, environment and cultures of more than 30 African countries. Images include landscapes, agriculture and marketplace scenes. Countries represented include Algeria, Angola, Benin, Burundi, Rwanda, Cameroon, the Central African Republic, Egypt, Ethiopia, Gabon, Ghana, Kenya, Lesotho, Liberia, Libya, Madagascar, Malawi, Mali, Mauritius, Morocco, Nigeria, Senegal, Sierra Leone, South Africa, Sudan, Swaziland, Tanzania, Uganda, the Democratic Republic of the Congo (Zaire), Cote d'Ivoire and Zambia. Also included in this collection are 117 postcards from West and Central Africa and approximately 17 maps of and 10 guide books for East and West Africa. A small amount of miscellaneous ephemera rounds out the collection.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
circa 1828-1980
Size:
79 Boxes
Collection ID:
NMAH.AC.0300.S03
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 3: African-American Music, contains circa 7,800 pieces of sheet music and folios dating from the 1820s to the 1980s; most of the material dates from after 1890. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Carpenter, Edmund, 1922-2011
Dates:
circa 1938-2011
Size:
26.25 Linear feet
Collection ID:
NAA.2017-27
Repository:
National Anthropological Archives

Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.

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Creators:
Lay, Oliver Ingraham, 1845-1890
Lay, Charles Downing, 1877-1956
Dates:
1789-2000
bulk 1870-1996
Size:
10.54 Linear feet
Collection ID:
AAA.layoliv
Repository:
Archives of American Art

The Oliver Ingraham Lay, Charles Downing Lay, and Lay Family Papers measure 10.54 linear feet and date from 1789 through 2000, with the bulk of the material dating from circa 1870-1996. The collection presents an overview of the personal lives and careers of painter, Oliver Ingraham Lay and his son, landscape architect, Charles Downing Lay. In addition, there are the papers of Lay family members and friends, including those of the Marian Wait Lay family (wife of Oliver Ingraham Lay) and of the Laura Gill Lay family (wife of Charles Downing Lay). Also found are the papers of the landscape and nature painter Fidelia Bridges. The collection consists of biographical material, correspondence, diaries, writings and notes, scrapbooks, family business records, exhibition files, printed material, as well as original artwork, sketches, a sketchbook, landscape designs, and photographs.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
1998-2015
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 18-041
Repository:
Smithsonian Institution Archives

This accession consists of records documenting outgoing loan requests for works of art which were denied or cancelled. Materials include correspondence, requests for loans, loan agreement forms, outgoing loan receipts, bills of lading, insurance documents, object images, facility reports, brochures, and related materials.

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Creators:
Strohmeyer & Wyman
Young, R.Y.
Underwood & Underwood
American Stereoscopic Co.
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Dates:
circa 1893-1904
Size:
0.15 Cubic feet (1 box)
Collection ID:
NMAH.AC.0402
Repository:
Archives Center, National Museum of American History

This collection is composed of two series: (1) 22 stereographs by several publishers, many of which relate to or were actually printed from negatives in the Underwood & Underwood Glass Stereograph Collection; and (2) a pamphlet. The fourth group of cards illustrates certain aspects of how stereographs were used by various companies, including two...

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1979-1981
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 82-012
Repository:
Smithsonian Institution Archives

These records consist of construction project files, including blueprints, financial statements, and inter-office correspondence concerning the projects. Buildings documented in this accession include the Smithsonian Institution Building, the Arts and Industries Building (A&I), the Museum of History and Technology (later named the Nationa...

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11678 records — Page 980 of 1168